An Exclusive Interview With the Wild Angel of Chops and Choppers
By Bandit |
Allan’s aggressive, fuzzed-out guitar instrumentals came to thebiker crowd by way of the classic B-movie “Wild Angels.” Before Angels, Allanhad scored another movie track with Mike Curb, on “Skaterdater.” But with “Wild Angels,” lightning struck and Davie Allan’s style coalesced into a unique,robust hybrid of Link Wray’s menacing power, Dick Dale’s caffeinatedshred, and the structural and musical sensibilities of his idol, HenryMancini. The song “Blues’ Theme” charted in regional markets across thecountry for the better part of a year, and a legend was born. Curb, Allanand the Arrows went on to compose and perform many musical scores forRoger Corman’s American International Pictures. Corman, it should be noted, was the king of the B-movie hill during the 1960s.
Allan and his current Arrows lineup are no oldies act. He is still composing and touring and his guitar chops have never been better. By rights, the name Davie Allan should be mentioned in the same breath as Dale and Wray. For better or worse, Allan?s early career was launched by Curb, his high school mate. Unfortunately, Curb also managed Allan and the Arrows. His opportunism and prodigious recycling of tracks did not bode well for the longevity of Allan’s success (Allan’s recorded legacy has been described as “a shitstorm of inconsistencies”). If ever there was a perfect subject for VH1’s ?Behind the Music,? it is that of Davie Allan and the Arrows. Theirs is a long, fascinating and improbable story.
How old were you when you first picked up guitar?
Allan: I started much later than I wanted to. I was around 15 and started performing within a couple of years.
Any humorous or interesting anecdotes from those earliest days?
Allan: I’m glad you asked. My first performance was at a luau, and myfirst drummer was Jim Gordon, who co-wrote “Layla” and is in jail formurdering his mother. That still shocks me. I have nothing but fond memories of working with him.
Flipside once referred to you as “High priest of the fuzz guitar.” Where and how did your frenetic, buzz saw guitar tone develop?
Allan: I guess this story gets told by other guitarists. In theearly days, we would put vocals AND guitars through one amp and couldn’thelp but get distortion. Van Halen cites “Blues’ Theme” as his firstintroduction to that grungy sound. As the amps got bigger, I got into fuzzboxes — my first one was made by the Gibson guitar company. Your questionbrings up a performance at one of the Love Rides (that’s the yearlymuscular dystrophy benefit that features 20,000 bikers going from Glendaleto Castaic, Calif.). We were doing a sound check and the soundman (who didn’thave a clue who I was) said, “Can we do something about that buzz saw effect?
“What was the inspiration for your adrenaline guitar tone?
Allan: I did a few distorted tunes early on but it was the ?Wild Angels? soundtrack that really set the tone that would stay with me for the 35years since those recordings were made. Since it was a biker film, I guess I was unknowingly going for a Harley sound with the guitar.
Who sang the ?Wild Angels? theme? It sounds like it might be Nancy Sinatra.
Allan: I always love it when I’m asked this question. It was Barbara Pittman, who had been on the Sun label and dated Elvis in the ?50s. She and I did a few duets (“This I Say” from the “Dr. Goldfoot & The Girl Bombs” soundtrack LP, “Makin’ Love” from the “Wild Wheels” soundtrack and a Manhattan Recordssingle: “Sha La La” and “You Really Got A Hold On Me.” The latter threewere billed as “The 13th Committee”).
Did you ever get to meet Peter Fonda, Bruce Dern or Nancy Sinatra?
Allan: I almost met Nancy this past year. A “Wild Angels” reunion was planned and we were slated to appear and to back her on a couple of tunes. We were also supposed to do a tune on the “Wild Angels” DVD that is due out soon. My meeting with Peter Fonda was disillusioning. We were promised a slot on the “Love Ride” show; Peter changed his mind but was going to have me come up on stage and introduce me. He changed his mind again but I went to the event anyway. I was still excited to meet him so when I saw him, I went over and grabbed his hand and introduced myself. He said nothing, then turned and walked away. The person in charge was able to at least talk Peter into posing for a picture later that day. I think he was out of it that day because he seemed like a different person when I saw him on an interview a couple of years later.
“Blues’ Theme” was recorded as a vocal in Davie’s collaboration with The Phantom Surfers (Skaterhater). Was the piece originally composed with lyrics?
Allan: Curb threw some lyrics together for the vocal version that appeared on ?The Wild Angels, Vol. II? LP.
What is your current recording and touring set-up?
Allan: After a few years of using a Roland guitar processor, I retired it for a few simple pedals such as a Pro-Co Rat, an Ibanez Tube Screamer and a 30-year-old Vox Wah Wah. When we don’t have a back line supplied, I use a 1980 Music Man amp and the guitar I use is a Fender Jazzmaster (with alterations) that I’ve had since 1965. I rarely use anything but the back pickup full blown.
How old are you?
Allan: It’s hard to lie about it anymore since my career goes back 40 years! I’m 56. In the last couple of years I have seen Link Wray and Dick Dale play live shows. They were absolutely at the top of their games, and even though many of the songs were familiar territory, there was no hint (sonically or in stage presence) that these guys were well past the age to be collecting Social Security.
Looking to your future, do you see yourself continuing to record and play live?
Allan: Unfortunately, the money isn’t there (I desperately need a tune in a film!) but I have no thoughts of giving it up. I’m working on making a CDR of my home demos to see if I can find a backer to finance a new album. We still do live shows and a tour is being discussed for later this year.
Will you do a cross-country thing or just regional to California?
Allan: We’ve done trips to Northern California plus Seattle, Portland and Tucson. In July/August of 1999, we did a three-week East Coast tour and we may do a similar one by the summer.
In 1996 you wrote the song “Vanishing Breed” for Dick Dale. How did this come to pass?
Allan: Dick and I have only worked together a couple of times but we go back to the ?60s. He played on a tune of mine in 1985 titled “Surf Trek” for my ?Arrow Dynamic? vinyl LP. I wrote “Vanishing Breed” for him and he said he would record it. He even told me that his son was going around the house humming it. After two years, I gave up and did it myself for the flipside of my “Shape of Things to Come” single for “Total Energy.”
You have referred to 1996’s “Fuzz Fest” as being the best thing you have done, and it is a solid and remarkably fresh-sounding release from start to finish. Was it just good kharma? What made this one special?
Allan: It was one of those magical moments like I had many times in the ?60s. Dave Provost was on bass and David Winogrond was on drums. We were totally in sync. So, there we were — Davie, Dave and David. All we needed was to add Dave Davies on second guitar! We came close with ?The Arrow Dynamic Sounds Of? CD in 1999. Dave had bowed out but Pete Curry stepped in and did a great job.
You really almost got Dave Davies from the Kinks to record with you?
Allan: That would’ve been too cool, but it was just a standing joke because of all the Daves.
Who are your favorite up-and-coming guitar-slingers? Do any of the current pack catch your ear?
Allan: I rarely listen to today’s music. I guess it’ll be surprise to learn that I listen mostly to Elvis, Frank, Bobby (Darin), Mancini, The Beatles and big band music.
The surprise is that none of these are instrumental guitar groups!
Allan: Well, I did mention Nokie Edwards (The Ventures). Some other favorites (are you sitting down for this?): Keely Smith, Linda Ronstadt, Matt Monro, Perry Como, Glenn Miller, ELO and Heart.
Are there any fuzz-drunk guitarists out there today who cite you asan influence?
Allan: I’ve been told that there are but I’ve only heard from fans who tell me how much I’ve influenced them. One fan recently told me that his young son watched a video of us to see how I played “Blues’ Theme.”
What do you think of the Insect Surfers and specifically the song “Volcano Juice”?
Allan: We’ve done quite a few shows with them and I was flattered when I was asked to play on that track. David Arnson and I soon became friends and he even appeared as an Arrow on a couple of shows.
I know you are influenced musically by Henry Mancini, but among guitarists, who influenced you?
Allan: Even though the guitar was basically a prop, my first influence was Elvis, followed by Duane Eddy, Nokie Edwards and George Harrison. Another favorite is Scotty Moore.
Were you/are you a Hendrix fan?
Allan: Never got into Jimi. I’ve been asked many times if he influenced me and except for his Top 40 hits, I didn’t hear any of his fuzz/wah stuff until years later.
Your new live CD, “Live Run” is on the Total Energy label, which also released “The Arrow Dynamic Sounds of Davie Allan and The Arrows” in 1999 and re-released “Fuzz Fest” in 1998. Have they done a good job promoting your work?
Allan: Without putting any blame on anyone, we’ve had great reviews on all three CDs. We did an East Coast tour in ’99, we won the LA Weekly Music Award for Best Instrumental Band of 1999, but there has been very little money made as far as CD sales.
Rumor has it that you either recorded an album of all surf stuff(fuzz style) or someone put out a compilation of your more surfy songs.True?
Allan: You must be referring to “Surftime On LBI.” That was anobvious bootleg that someone put together (badly) in New Jersey. The tuneswere re-titled. For instance, “Cycle-Delic” became “Surf-A-Delic” by DavyArrow & The Allens (nice spelling of both names).
What was the original idea behind your magnum opus tune “Cycle-Delic” Some fans think it’s the most free-form song you ever did. Were you influenced by outside trends or sources?
Allan: It was just something we started jamming on that tookshape after our August 1967 tour. When we got home, most of it was makingsense to us so we went into the studio and recorded it. We were reallyhappy with the result. What a shame that the multi-track tapes are gone;how I would love to hear it in stereo!

How long have you been playing with your current Arrows lineup of Lee Joseph on bass and David Winogrond on drums?
Allan: Lee goes back to 1998 as my bass player but we had crossed paths in 1990 when he released my “Old Neck And New Strings” LP. It wasre-released on CD (with extra tracks) and re-titled ?Loud, Loose And Savage?in 1993 on the Iloki label and then re-released again on Lee’s Dionysuslabel in 1999. David and I did one track together in 1987 (“The MissingLink”) but he didn’t become an official Arrow until 1994.
Your accompanying group throughout the ?60s was variously referred to as The Visitors, The Hands Of Time, The Sidewalk Sounds, etc. Is there what you would consider to be a “classic” Arrows lineup?
Allan: There were two classic lineups. The musicians who did ?The Wild Angels? and many other tracks were Larry Brown on drums, Drew Bennett on bass, Russ Viot on rhythm guitar and vocals and Jared Hendler on keyboards. After “Blues’ Theme” hit the charts, the traveling “Arrows” (and a few sessions) were Drew, Don Manning on drums and the multi-talented Wayne Allwine on rhythm guitar and vocals. Wayne is a great guy and we still keep in touch. I always love telling his story. He became the third official voice of Mickey Mouse in 1977 and married voice-over actress Russi Taylor a few years ago. She is the voice of Minnie Mouse!
Did you really write and perform more than 20 movie soundtracks in a three- year period back in the mid-60s?
Allan: We actually worked on about two dozen “B” movies. Mostwere awful but a few cult favorites came out of the bunch such as “The Wild Angels,” “Devil’s Angels,” “Wild In The Streets” and “Born Losers.”
How involved were you in scoring the movie soundtracks?
Allan: We recorded many full tunes although some were done in snippets. Soundtrack albums were planned so we did some versions especially for that purpose. Also, in a great many cases, some of our previous recordings were remixed and retitled.
Did you ever visit the movie shoots and/or do any kind of cameo?
Allan: The band was in one perfectly awful film titled “Albert Peckingpaw’s Revenge” in 1967 that was retitled “Jennie, Wife Child.” Someonesent me a video of it about eight years ago and it was worse than Iexpected. I was also in the background of another bad one titled “WildWheels” in 1969.
Is it true that you have never ridden a motorcycle?
Allan: Yes, but I do ride a bicycle on occasion.
Merl Haggard, Kacey Jones, and more recently Hank Williams III have complained bitterly about getting screwed by Curb Records. Tell us a bit about the history of your business relationship with Mike Curb, the good, the bad and the ugly.
Allan: I’ve been working on a story about my relationship with him for about six years. I’m holding back on telling it because a deal is being offered to sign off on the ?60s and start with a clean slate to re-release all the old tracks on CD. Many labels have approached me (in hopes that I owned the old recordings) to do box sets. Curb owns everything and has refused to lease anything out except for “Blues’ Theme” that has been on a few comps, including Rhino Records Nuggets four-CD box set that did quite well. Thankfully, I got my co-writing credit back because I’ve received nothing as the artist. Who knows, Curb and I started together in 1961, maybe he’ll get tired of all the bootlegs and take those recordings off the shelf and put them back out there where they belong.
I’ve seen elsewhere a reference to the year 1963 as the date you began working with Curb. Was 1961 when you were still going to high school together?
Allan: We met in the high school choir in ’61 and started doing demos in the studio soon after. The first releases were in ’63.
Was the song “Curb Job” a shot at Mike Curb?
Allan: That’s a tune that Mel Bergman (Phantom Surfers’ guitarist) wrote for me that is really a mafia term. It’s so disgusting that I would rather not describe it. It was also a shot at Curb. I did another project with Mel Bergman, a Ventures take on The Ramones. We called the group theRamonetures and an LP and CD came out in ’99. It was quite a challengefor me in that I had to learn the melodies of 16 tunes that I had neverheard before. It was released on the Blood Red Vinyl & Discs label.
What are your hobbies, outside of music?
Allan: Movies, a few TV shows, hiking, bicycling, softball. I used to collect autographs but got turned off when Steve McQueen and Ali MacGraw turned me down at a club I was playing in Palm Springs. I also collected View Masters as a kid but all I collect today are Hallmark’s “Star Trek” ornaments.
In addition to Allan’s recent discography, there are various bootlegs floating around on the market, including a recent CD of the 1967 ?Blues’ Theme? LP. Perhaps the popularity of these bootlegs will helpconvince Mike Curb to release official versions of those oldrecordings. Fans who wish to rattle Mike Curb’s cage can write to him at47 Music Square East, Nashville, Tenn. 37203-4324.
Several Davie Allan CDs are available directly from his Web site, www.davieallan.com, including “Fuzz Fest,” about which Davie comments, “This follow-up to “Loud, Loose and Savage” was first released on AVI in 1996 and then re-released on “Total Energy” in 1999. Where does this one come in on the list of my almost four decades of recording? My favorite, my best.”
Bikernet Correspondent Sneaks Into Premiere
By Bandit |

The Mann’s Chinese Theater was the scene of Biker Boyz madness as over 200 motorcycles paraded down Hollywood Blvd doing tire burnouts, charging and revving as if making the movie for the forbidden wheelie that was banned for the procession. The stars of the movie were not only Lawrence Fishburne who plays “King of Cali” character “Smoke,” Lisa Bonet, the on screen leader of Total Package MC, “Queenie,” Derek Luke, a racing prodigy “Kid” with attitude who plays the young nemisis to Smoke, and Kid Rock as “Dog” who gives the movie a bone with his bits of sarcasim and snyde confidence. The stars featured the real clubs and street trick riders who appear throughout the movie.

I had the pleasure of sitting with some of the Ruff Ryder crew, trick ryders and the real ladies of Total Package MC who paraded down the blvd with style and ‘tude. The movie is entertaining and portrays a little known motorcycle culture that truly knows how to maximize their ride and hang tough. Talk about one with the bike, these trick riders know how to completely infuse their bodies with their bikes and make their crotch rockets do wild tricks that take the name motorcycle and transforms it into motorstyle. These cats are stylin’ and profilin’ with their motorcycle clubs and their scoots like not other.

“Burn Rubber Not Your Soul” is the tag line to the Biker Boyz MC. Directed and co-written by Reggie Rock Bythewood, the film uniquely tells the tale about the underground street racing and the intensity of keeping the coveted title and not giving up your lid to some kid who arrives on the scene saying he’s better than you. It’s an action-packed flick and the stunts and racing scenes alone are enough to make this a must-see film. The story is really not so in-depth, or deep that it takes over and there’s no screen time for the bikes, which is great! It’s light enough that it stays fun, presents interesting characters and keeps the story moving along. The cinematography is killer and draws the audience into the lightening-fast scenarios. The film, based upon the New Times article of the same name penned by Michael Gougis, holds your attention and immerses you into the club life of these street racers and trick riders.

It was incredibly fun to see the movie with all the cast and crew members. Talk about whooping it up! The entire theater erupted into familiar yelps and cheers upon seeing the actual club members and stunt riders tearing it up on screen. The premiere was staged with that touch of reality that made it all right and all real. There were absolutely NO POSEURS at this event. And there are NO POSEURS on screen. All the stars of the movie have an affinity for riding hard, even though there were stunt doubles to take on the task of acceleration and dancing their metal down the boulevard like some aggressive catch-me-if-you-can tango.
Burn rubber and catch this flick on the big screen.
Biker Boyz is a DreamWorks feature film presentation produced by Stephanie Allain, Gina Prince-Bythewood, Erwin Stoff, and 3 Arts Entertainment, with Don Kurt serving as executive producer.
Jose Interviews Billy Lane
By Bandit |

Our Caribbean reporter was recently blessed with the opportunity to ride to Sturgis from the east coast with Billy Lane, the creator behind Choppers Inc. Billy and Jose partnered with Roger Bourget for a Discovery Channel adventure to build a couple of bikes and tear up the streets between the east coast and the Badlands. The wild aspect of this show was the combination and comparison of Bourget’s state of the art industrial machine shop and Billy’s blacksmith Chopper building warehouse where wild components are fabbed with a torch, a hammer and by hand. Billy recently lost the tips of a couple of his fingers in an open belt drive. He’s a man, and a wild chopper fabricator, who does it his way, with his mits, then rides the shit outta the machine he creates. The true test of a man and his abilities.
Jose, put this brief interview together with the newest Discovery Channel star:1
Bikernet: What do you like doing at the shop the most?
BL:I like to build custom bikes, that’s my favorite thing to do. Unfortunately, it’s the one thing I have the least time to do.
Bikernet: What do you like to do that is not related to bikes ?
BL:Besides bikes, I like to surf and work out, I could give up bikes and surf for the rest of my life…and I really love bikes…
Bikernet: What’s in the future for you and Choppers Inc ?
BL:Discovery called us and they want another TV show, I’m going to start riding the Wall of Death with Rhett Rotten in October, another Hubless bike. We’ve been talking to Camel about building for them next year. That would be great .

Bikernet: We all have grown so much in the past years, did you expected this?
BL:I’ve always expected my business to grow, but the last year has been insane. I’m hesitant to even think about next year.
Bikernet: I feel kinda bummed sometimes, now that everyone and their mother builds choppers, How do you feel ?
BL:Everyone isn’t doing choppers, it’s just that the public has been duped into thinking that anything with long forks is a chopper. There’s a lot of garbage out there. I laugh at shops that last week were called X-Cycles and now are called X-Choppers. Fuck you people for that !
Bikernet:What’s your favorite bike, of the ones you’ve built?
BL:Of all my bikes I like my Blue Shovelhead the best, kicker only, basic, no nonsense. My Hubless bike is by far, the best bike I’ve ever built. I haven’t turned a wrench on it since I finished it, but I like the Shovel best… ( the Hubless was rode from North Carolina to Sturgis and the Blue from Melbourne to Sturgis, both made it !)
Bikernet: How do you feel about your Discovery ride experience ?
BL:The Discovery ride was unreal. We had such a great time, twenty plus speed junkies does it for me. That was one of those once-in-a lifetime things that I’ll never forget. I just watched it on TV last night and laughed my ass off.
Bikernet: People are generally so afraid of rigids, can you convince them not to be ? What do you think makes a good riding rigid ?
BL:Rigids are so much better than Softails. I don’t consider any bike with Softail suspension a chopper, but that’s just my opinion. I tell people who want Softails to go someplace else. That usually convinces them to stick around. A bike needs proper seat height and positioning, proper foot control and handlebar placement, and a reasonable amount of trail to work well.

Bikernet: Now that you’ve been in so many magazines, which is the one that you would really love to be in, besides Penthouse ?
BL:Well… Howard and I have a running joke about me being in Hot Bike. We are planning on two shoots in Biketoberfest . A Hot Bike cover would be nice.
Bikernet: Any message to the people of Puerto Rico ?
BL:I’m going to come to PR to surf, so don’t snake me !!!
Bikernet: If you were not doing this (bike building) what would you be doing ?
BL:If I weren’t doing bikes…. I’d be a musician, a pro surfer, or a pimp.
Bikernet: Who’s your favorite builder, besides yourself, today and why ?
BL: My favorite builder is probably Chica, he’s got class. Period.–
An Interview With The Caribbean Connection
By Bandit |
Choppahead
By Bandit |

Dirtbags and fluzies – as the newest Bikernet operative I guess some introductions are in order. The name’s Big Truth. I’m transmitting to you from Boston, MA. My mission is to cover local events, profile bike builders, and throw some tech articles in your eyes from time-to-time.

Bandit suggested that I start off with a profile of my company (Choppahead) so that you can get a little familiar with my background and what I do. Choppahead is a greasy, grimy, gritty, hardcore chopper oriented clothing, parts, and mayhem machine company. I got this thing off the ground a year and a half ago and since then it’s grown into a monstrous industrial giant. I’m hell-bent on world domination and everyday I laugh menacingly while rubbing my hands as I watch fleets of trucks ship my evil wares out to the unsuspecting world. Mwoohahaha! POP! (Hear them daydreams shatter back to reality?) Actually, I still operate out of a hidden garage located in a murky Boston alleyway. No storefront. My garage (which three of us share) is my shop and warehouse; my bedroom is my office and multimedia studio. And you thought hi-fashion and chopper building was all glamour?

Choppahead designs (whether it be for clothing, parts, or bikes) are rugged and menacing but simple and to the point. Basically, everything we do is a big “Fuck You” to all the bullshit out there. Nothing is watered down. I embrace being part of the dark underbelly of society. The people who rock my products tend to be of the same caliber.

A word on our bikes. Choppahead builds gritty choppers to ride, not to show. Actually, you can show them, too – the 64 Triumph chopper that’s for sale right now took an honorable mention trophy at last year’s New England Motorcycle Spectacular. “Big deal,” you say, “it’s only honorable mention.” It’s a big deal when this 6k chop is surrounded by 60k and up bikes?! Choppahead aims to build within the means of the average Joe. We don’t build mortgage-priced bikes that you need to be a superstar to afford. I can appreciate the high-end bikes, but I don’t build them.
The other mission of Choppahead is to help preserve, document, and facilitate chopper and biker culture. That ties into what I’ll be doing here at Bikernet. It’s also why I have community features on my website like an active messageboard, news announcements, upcoming events, and a section for builders and riders to send in flicks and spec sheets of their scoots. I want the site to be a place for heads to come in and swap knowledge, stories, and just talk shit. I’m also working on a Choppahead video project that focuses on home-builders and small shops. They are the true essence of the chopper scene, in my opinion.

Check out the site http://www.choppahead.com and let me know what you think. I’m still building the company up, and once I have more $$$ and time I’ll have a lot more by way of clothes, parts and complete bikes for sale. So give me a brake for not stamping out new shit every week. For now, I’m still balancing this with my day job (working in health and safety with trades unions – iron workers, laborers, pile drivers, etc.), music, and writing. Yes, I keep busy. If I’m not busy, I’m bored. When I’m bored I get in trouble!
I’m psyched to be part of the Bikernet squad. My fingers are already getting all antsy to start pounding out some articles for the site. If you have any events, builders, tech issues or anything else that you would like me to cover, feel free to drop me a line at: truth@choppahead.com – till next time, keep riding and keep it strong!
Choppers Inc. Forever, Forever Choppers Inc.
By Bandit |


If you have been hiding in a hole lately, like Osama yo’ Mama or some other fuck, you might not know who Billy Lane, the creator of Choppers Inc. is? But after reading this, even Sado and his multi billion whatever camel bangin’ ass will know who Billy Lane is.

Discover, Build-Off Bike waiting paint.

If you’ve heard about the Space Coast of Florida. You know where NASA launches all those rockets? There’s a small, quiet town called Melbourne, home of none other than Choppers Inc. Yes the same chopper shop that is commanded by the one and only Billy Lane, master of the unthinkable. He uses everything from helicopter bearings to bottle openers as components for his two wheeled creations. He’s been featured in Bikernet previously, but this time we are going inside his shop. This is his little world, where the Choppers Inc. crew come up with all his whacked and cool choppers. It’s a steel and chrome haven where TV cameras, cool cars and the usual mayhem take place. It’s a place where friends are always welcome, Jack is always available and the beer is always cold. This is the fun trip into the Choppers, Inc. zone… Enjoy.

A Billy Lane signature, the hubless bike.
So let’s go back in time, to a place that time has forgotten, or maybe not, Miami. That’s were I met him for the first time thru a mutual friend who had a shop in South Beach. We said a couple hi’s and hung out some, not much more than that. I had bikes, but I was doing something else at the time. Everyone walks their own path. Some years later I met Billy once more. He was starting a shop in Melbourne and perhaps a new life, Choppers Inc. It was sorta re-born. Some people say that he was supposed to work for NASA, but decided to step onto the notorious Chopper path. I, for one, think he made the correct choice. So let’s fast forward a bit.

Billy Lane pondering the rains that threatened Daytona Bike Week.
Choppers Inc. Forever, Forever Choppers Inc.
By Bandit |
Choppers Inc is a no nonsense, no bullshit shop. No catalog parts, no walls full of chromy crap, no racks full of the latest leathers. It’s a shop chocked full of cool gadgets, their own line of shirts and apparel and their super cool and original six gun parts (all patented designs). It’s a shop designed for building bikes, welding, machining, blacksmith banging, fabricating and even partyin’ some.

There’s no showroom, no nothin’. You walk in and you’ll see Billy or Nick throwing wrenches around. Gene’s answering the phones and running the sales, and if you’re lucky, Suzanne’s running the whole operation backstage. If you stay there long enough (without being a pest), you will see a lot of people stumbling in and out. They come to shoot the shit, but they don’t interfere with bike building progress. Family’s always near. Cute chicks come and go and there’s always something to be completed.

There’s Nick a master mechanic.
Speaking of things to be finished: Two Discovery bikes; The famous hubless the Camel bike; the VQ bike and countless other choppers and customer bikes being built. There’s always a project or three going on, all with that individual touch that Billy gives his choppers. With each creation contains a million tiny details and some major ones as well. While Billy creates one component, Nick fabricates another. There’s no egos clashing here. There’s not enough space nor time for them. On any given day you see the polisher, painter, chromer, powdercoater and even the seat maker stopping by, grabbing a beer, picking-up what needs work and heading out. Choppers, Inc. is fortunate enough to have surrounded itself with hard working, true friends. They accomplish what it takes for the benefit of the Choppers Inc. Code, not the individual.

It’s Booster and Jesse.

If you happen to pass by Melbourne make sure to go by and check it out. Please, don’t ask to sit on the choppers and don’t even talk to Nick if he’s limping. And if you see cameras there, it’s better to turn around and come by some other time……Don’t say I didn’t warn you.

Booster’s Chop.
— Jose De Miguel

The man, Billy Lane, himself.
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Bikernet Reveals Discovery Girls – On Bikes
By Bandit |
![]() Two of the riders from the Discovery Ride. We have all seen the Discovery motorcycle stuff. Here we have some of the ladies who participated in Motorcycle Women. These “girls” are not only good looking, have kick ass careers and know what they want in life, plus they love Choppers. What more would you want (besides their number and a date)! I bravely encountered them to ask the following questions ( yeah I know it’s a tough job, but someone has to do it),at a Cyber cafe somewhere in the World. When they started popping up I felt like a kid who was meeting the parents on his first date. Needless to say my journalistic duty kept me glued to my seat, (and I felt like the luckiest dude in the place surrounded by babes). So yeah, they did cartwheels, went shopping, and had the cleanest bikes I’ve ever seen (on a long ride) but what the hell. They are ladies, and that’s what they do. So next time you see one of them on the road, before calling them chicks, remember, these girls have covered more miles in a week than most in a year. They have paid their dues, but most important, they have found the meaning of brotherhood…I mean sistership and respect for one another. So read on, enjoy, and take it like a man. BIKERNET: What do you ride? QIAN: Technically I ride a 2002 Sportster. BIKERNET: Why technically ? QIAN: It looks nothing like a Sportster BETSY: A 91′ Softail. I modified everything in ’97, so they call it a ” special construction”. It has an Evo motor with Delkron cases and S&S carb on a Paughco frame. Evo 3 cam, python 3 pipes, twisted spoke rims, a Le Pera custom seat, ape hangers, and a devil’s pitchfork sissy bar. The leathers I dressed her with are old bags and scraps collected in our travels. ![]() Betsy, the leader of the pack. BIKERNET: Wow ! It’s quite impressive when someone knows exactly what their bike has, more so, can I say a woman without sounding like a male chauvinist ?What made you start riding and why? QIAN: I got involved in motorcycles when I met Betsy, my best friend. She was the first woman who I met who rode a motorcycle and I was so impressed and had so much fun riding on the back of hers that I decided to get my own. BETSY: I’ve been riding all kind of bikes my whole life, but my first bike was bought at a girlfriends garage sale, a Honda 400. She needed the money and I wanted to help out. Not even knowing that riding it would become such a major part of my life. ![]() Qian, the woman of Jose’s dreams. BIKERNET: What have you done to the bikes (customize stuff) ? QIAN: I have changed and rechanged everything on the bike but the engine. I have 18″ apes, stretched gas tank, thinner Le Pera seat, tall sissy bar (who isn’t on the bike anymore) chrome grips, chopped fenders, lowered. BETSY: Oops.. I guess I already answered this question.. By the way I also defaced a fabulous ghost flame paint job and opted for flat black BIKERNET: Yeah, Flat Black rules. How much fun was the Discovery ride actually was? QIAN: The ride was exciting and a bit intimidating since it was my first trip cross country. I also had not ridden with anyone other than Betsy. ![]() BIKERNET: So Hollister wasn’t a long ride? I bet it was close to the Discovery mileage. QIAN: Hollister was my first long ride and by the time I was done with the DC show I was getting used to it, bugs and all. BETSY: The ride was a lot of fun for me. life is a lot of fun for me! We were all under some sort of pressure since we all had expectations of what the experience would be and how the filming would turn out. Sometimes it was a test of patience and sometimes we lost control of that. But I can say I respect every person I rode with and the crew. The ride itself was almost perfect, the scenery, the weather, the “dance” of riding with new friends. Sometimes you don’t realize how cool an experience is until you look back at it. I feel really fortunate to have been part of all this. BIKERNET: Leaving the fringe, shopping and general TV stuff aside, What can you say (or felt) about the ride that people did not get to see? QIAN: I felt there was so much great footage that was left out due to whatever reason and time. The viewers didn’t get to see us really bond, the food fights, the wonderful conversations and the spectacular scenery. We laughed the entire time. BIKERNET: I hear you, we felt the same way after the Discover Sturgis ride. I mean footage lost, the bond, the good time. No food fights though, but it’s a funny thought. Maybe a fist fight. BETSY: What people didn’t get to see? The bullshit ! The vulgar language, the “R” rated activities. And thank God for good editing. My family thanks Chad for his tasteful efforts (Chad was the editor). ![]() BIKERNET: So we missed the best stuff. like always, damn censors! Of all the shows yours was the coolest route of all. What was your favorite part of the trip, areas, places, roads, whatever? QIAN: My favorite part of the trip was meeting these women and the tasty ribs in Ely Nevada. BETSY: I loved Durango and the Four corners, plus all the trading posts out in the middle of nowhere. BIKERNET: What do you do for a living and how is it connected to riding motorcycles ? QIAN: I work as a photographer in Los Angeles…Sometimes I sell drugs to make ends meet (just kidding). BIKERNET: So how is it connected to motorcycles? Besides being cheaper and more fun than a shrink? QIAN: It’s not, It’s just plain fun. BETSY: Also, as photographer and I shoot various types of subjects as work and as a hobby. I have been lucky enough to shoot many motorcycles events with my friend Genevieve Schmitt of Woman Rider. BIKERNET: I’m pretty sure that the bond that formed during and after the ride was pretty strong, tell me about it? Would you do it again, or is another ride already planned? QIAN: Claudia and Michelle came out to visit us for the Love Ride weekend and we all plan to get together and ride to Sturgis next summer. BETSY: Besides what Qian said, I did some pretty strong bonds on the trip and I hope my friendship with this girls continues. I would definitely do it again, and I am working on doing exactly that. BIKERNET: So I must assume you will visit us in the Black Hills ?Tell us what went on behind the cameras? I’m sure six ladies on bikes can stir some trouble? QIAN: I plead the fifth…. BIKERNET: Ahh, Come on? BETSY: On the grounds that I would embarrass everyone, I must also plead the 5th. But…The ribs were not the only tasty things in Ely!!! ![]() BIKERNET: Does your significant other, if any, ride too ? What does he ride? QIAN: I’m sin… BIKERNET: Due to the amount of horn dogs around, this question is being purposely deleted (for Jose’s selfish, personal advantage). BETSY: I have no significant other, not even an insignificant other. Isn’t that sad ? BIKERNET: That’s funny. I mean the insignificant part. So I’m leaving this one. I’m sure that our readers will be more than willing to become insignificant others. I will sell phone numbers for the right price. What do you like, bike wise and style wise, any plans or dreams of a certain bike, or favorite builder to do it ? QIAN: I like the way old choppers look, apes, raked out, springer front ends, tall sissy bars. I don’t like the new bikes with the bright colored paint jobs. I think the only color a bike should be is black ! BIKERNET: Wow ! Why don’t you just rip my heart out !!! BETSY: My bike! The one I have now ! It took me three bikes to work up to what I’ve always wanted. This is it.. BIKERNET: It’s never it. Come on fess up? BETSY: Well, I would like to rake the front end about 9 more degrees. Anyway, I see so many bikes around, but when I get back to mine, I always think it’s the most beautiful bike I’ve ever seen ! BIKERNET: Every year we see more and more women riding Harley’s, which I think is great and they look so good. What’s your perspective about it ? QIAN: Everything in this society is male dominated, which is sad, but I am glad to see more and more women riding. It’s a lot of fun, in fact I think everyone should own a bike ! BIKERNET: Come on, not all is male dominated, how about hair dressers, interior decorators, oops, yep you are right, sort of? BETSY: I love it. I used to feel like an oddity, a tanned women dripping in turquoise, kind of a 70’s lost child. But now it’s all hip again. If you keep your style it will come back around every 20 years or so. When I see another woman riding I know we have something in common. To some it’s more than a hobby, it’s an attitude about life. It’s a freedom thing. ![]() BIKERNET: Power to the sista’s!! Yeah, I saw a lot of jewelry on the show, fringe and little clothing.You travel all over the World, tell us about cool places to visit and ride? QIAN: I have only ridden in the US, but my photography has taken me all over the World. Mostly third world countries like Nepal, Tibet, Guatemala, Peru, Costa Rica and Morocco.I’ve experienced diving in Thailand, Aruba, Caymans and Bahamas. I just got my Sky diving license and plan on going to Queenstown New Zealand, the Adrenaline capital of the World, to make some jumps and ride… BIKERNET: So many places and no Puerto Rico ? How can that be? QIAN: I have actually been there. BIKERNET: Ah ha ! I bet at the airport on the way to some other island. BETSY: I’ve never ridden anything bigger than a moped in any other country. I dig adrenaline and adventure so I mix work and fun…Safaris in Africa, mountain climbing in Tibet, skiing in the Alps, bungee jumping in New Zealand, scuba in the Pacific and Caribbean islands, stuff like that. But most of the motorcycle travel has been 20 different ways to get from LA to Sturgis and back ! BIKERNET: This forum now belongs to you two, say what you want…gripes, kudos, anything ? QIAN: I’ve learned that although chrome grips look really cool they serve, absolutely, no purpose going cross country, and in fact, I’ve already damaged my fingers from gripping so hard. Chrome won’t get you home.I have duct tape covering them and I don’t really care how ugly it looks. They are never coming off. And Jose is a babe. ![]() BIKERNET: Try tennis racket grip tape. It works better and is less messy. BETSY: People don’t see my quiet side. I spent most of my time in my own little “casa” in the garden, with my dogs, making jewelry and leather goods… BIKERNET: So that explains all the accessorizing on the ride? BETSY: Yep. I also try to have the healthiest body and soul lifestyle I can. I love good sleep, sunshine, good friends and most important a great family ! And Jose is a babe, too !! BIKERNET: Thanks for taking the time to answer these questions. I really hope this opens some eyes, ladies as well as gentlemen. Deep inside it was all serious stuff, friendship, enjoyment and absorbing your surroundings. They watched each others backs (and we did too). But at the end the message was served, eaten and digested. Women riders are here to stay. They like the same things we do and enjoy their bikes as much. Only difference, they have some extra parts and look much better on their bikes than any guy. –Jose, Bikernet Caribbean Reporter ![]() |
Fabricator Kevin
By Bandit |

I was wet, cold and tired as I rolled the shovel into the bowels ofHell mknown as the south side of Detroit to find the elusive metal smith thatpeople call FabKevin. I was thinking what kind of person could cause thiskind of stir in the ol’ skool chopper community; I mean he wasn’tproducingfancy chrome shiny parts. Nope, his wares show up at your door in rawunfinished steel. So, why all the commotion? I really couldn’t understandit so that’s how I ended up rolling thru the industrial area of Detroit atzero dark thirty reading unlighted buildings looking for his shop. As I took aleft down an old decrepit alley I saw the flash of an arc welder and thesplash of fresh sparks from a plasma cutter arcing thru the front door ofan old rundown warehouse. As I parked the old shovel by the ramp leading tothe front door, I noticed a small Maltese cross with Fabricator Kevin letteredacross the bottom, painted on the door.
Climbing off the bike I can see the master at work. He is busyoverseeing a CNC High Definition Plasma cutter making sure each cut is perfect. I can tell by the concentration in his brow that he expects nothing but the best and that his customers will all receive the same. Slowly heturns his head to check who this intruder would be standing at his shopdoor in the middle of the night. I introduce myself and thank the gods that Ihad called him earlier to arrange this meeting, as I am sure he is wellacquainted with taking care of trespassers.
Slowly his menacing smirk changes to a grin as he turns off hismachine, reaches down to his obviously custom made diamond plate cooler, throws mea beer and tells me to pull up a chair. We started talking casually aboutthe chopper industry and where he believes it will head next, his thoughts andhis passions. Slowly information starts coming out about his backgroundand how he found himself doing what he is doing.

Maltese cross motor plate
It just happened that sometime back in his youth he decided he wouldget into the industrial sheet metal field. Being a rider and a person whoturns his own wrenches, he was producing parts for himself and of course asusual, people started to notice. 20 years later and thousands of widgets latter,he decided to mix his two passions into one, metal working and customHarleys.
It seemed a natural mix and with the machines he has access to fromComputer aided design work to his high definition laser, and his friendsall clamoring for parts like the ones on his ride he knew that he was ontosomething. Slowly at night on his own time he started turning out chopperparts. At first it was just for close friends, you know a timing coverhere a motor plate there, but slowly the word got out that here was a man thatcould take your ideas whether it was trying to adapt 6 piston Japbikebrakes to your girder front end or making laser carved motor plates with yourname engraved in them. He can do it all with top quality materials and at abudget price.

Jockey Shift Levers for Ratchet top Trans.
He started advertising and slowly an underground movement startedaround his parts, a subculture we will call it that is anti billet andreally believes in Kevin’s mantra of “If it ain’t STEEL, it ain’t REAL!”Parts orders slowly started coming in and a contract from Horse BackStreetChoppers magazine for his Maltese cross point’s covers, which I will sayare an exclusive to the Horse so I wasn’t able to sneak out with one.

Maltese Cross points cover only available thru Horse BackStreetChoppers Website
This is the point that the shop is at now, small enough for personalone of a kind parts and Kevin says that it will stay that way, Service thatwould shock the big boys and the ability to produce whatever your mind canimagine out of steel. You ask for flames, spider webs, Maltese crosses, oryour name engraved in that custom part and he makes it happen. That iswhat it is all about. As we finish our drinks I start looking around the shopnoticing some of the standard parts he produces. I ask him for a rundownof his “Stock” Parts and this is what I get :
“Exhaust flanges to make your own pipes for Shovels and STD heads,Taillight brackets, License plate brackets, Fender struts, Brake caliperbrackets (to adapt almost any OEM caliper to any frame or forks), MotorPlates, to connect motors and trannies on open belt primary drives, pointscovers for cone motors, Jockey shift arms, and almost anything else youcan dream up. I can offer many steel parts that are no heavier than aluminumparts, because I can make them thinner, and cut out unnecessary material.While I have plenty of my own designs, I can also work from your drawingsor templates. If you’re cutting out parts on a band saw, and grinding themto fit, I can probably program and burn them WAY cheaper than you can do ityourself. I can program and cut: spider web patterns, flame patterns,skulls, Maltese crosses, or any lettering or shape you want. I make partsfor American, British, and metric bikes too.”

One of a kind Mid Control Brackets and motorplate
Pretty strong words if ya ask me. But from what I see in the shop, Ibelieve what he is saying. Slowly I get up and thank him for his time andthe info and he asks me to hold up a minute as I was heading out the door.He walks over to the CNC machine and pulls out what looks like a motorplate for a shovel, and cut into the motor plate are the words OldDawg. Damnthat is something I wasn’t expecting and from the smirk on his face he knew itwould be on my bike by the next weekend. As I wheel my way west towards myhome I couldn’t help but wonder if FabKevin isn’t at the forefront of a newmovement and how long it would be before I started seeing his parts at thelocal shop hanging on the pegboard.
Thanks Kevin for the beer and the conversation.
All these parts and more are available online atwww.fabkevin.com

“Great Doings”
By Bandit |

I suppose I ought to explain something: For some obtuse reason, I feel I put alittle too much effort into a painting to simply dash off, leaving theviewer with a quick explanation of what is surface-level obvious. Nope… Ifigure I’d rather torture myself by doing two things at the same time;first, plumb my soul to come up with something truly powerful, and second,for it to have a character of personal uniqueness that appropriatelytranslates what I am saying with the piece. Something that causes inplaybetween artist and viewer. Yeah, that’s it. Push things in an interestingdirection.
At times, dragging out the name can be tough — I don’t get them for free.The process can be scary as hell. After all, painting is a black hole, acompression of many different emotions; pain, misery, elation, exploration– so why not reach deep within those personal depths to name the piece? Whynot cause myself misery and sift through my drama? — by the way, where’s mytherapist?
Maybe I could have gotten poetic andwinged off something like “Windblown Wavelets and Reflective Cud-Chewing”,but I’d be afraid that naming it so would be a case of anything meaninganything and nothing at the same time…
No, whatever I had to say about my painting had to say something about ALLof the painting. It had to say something about the machine. The flag. Thestone-faced riders with attitude — no, pride. The drama. I want to saysomething about one thing. I want to say something about everything. It hadto say speak BEYOND the painting. I wanted it to address something Iresponded to when I conceived the image — the PASSION. And I wanted it tospeak to the culmination of 100 years of what “IT” was all about — andspeak to what it will be.
So, I sat and stared at it for a while. Just like I did when it was a whitecanvas… except not as nervous (because I didn’t have to think how manyways I could destroy a perfectly clean, white canvas). A thought… scribbleit down and wait for the next candidate to appear. Then scribble that down.Flail myself for the next one and scribble that down.
Slowly, a list was compiled and reviewed. And there,in the midst of a long line of drunks, dropouts and derelicts, it shone:”Great Doings”.
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