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An Exclusive Interview With the Wild Angel of Chops and Choppers

 

 
To those in the know, the mere mention of Davie Allan and the Arrowsconjures aural images of fuzz bitten yet melodic guitar instrumentals.Davie’s is not a household name, although many fans purchased the group’sbuzz saw soundtracks and albums in the 1960s. Many millions more haveheard Davie Allan’s work without being able to put a name to the music.

Allan’s aggressive, fuzzed-out guitar instrumentals came to thebiker crowd by way of the classic B-movie “Wild Angels.” Before Angels, Allanhad scored another movie track with Mike Curb, on “Skaterdater.” But with “Wild Angels,” lightning struck and Davie Allan’s style coalesced into a unique,robust hybrid of Link Wray’s menacing power, Dick Dale’s caffeinatedshred, and the structural and musical sensibilities of his idol, HenryMancini. The song “Blues’ Theme” charted in regional markets across thecountry for the better part of a year, and a legend was born. Curb, Allanand the Arrows went on to compose and perform many musical scores forRoger Corman’s American International Pictures. Corman, it should be noted, was the king of the B-movie hill during the 1960s.

Allan and his current Arrows lineup are no oldies act. He is still composing and touring and his guitar chops have never been better. By rights, the name Davie Allan should be mentioned in the same breath as Dale and Wray. For better or worse, Allan?s early career was launched by Curb, his high school mate. Unfortunately, Curb also managed Allan and the Arrows. His opportunism and prodigious recycling of tracks did not bode well for the longevity of Allan’s success (Allan’s recorded legacy has been described as “a shitstorm of inconsistencies”). If ever there was a perfect subject for VH1’s ?Behind the Music,? it is that of Davie Allan and the Arrows. Theirs is a long, fascinating and improbable story.

How old were you when you first picked up guitar?

Allan: I started much later than I wanted to. I was around 15 and started performing within a couple of years.

Any humorous or interesting anecdotes from those earliest days?

Allan: I’m glad you asked. My first performance was at a luau, and myfirst drummer was Jim Gordon, who co-wrote “Layla” and is in jail formurdering his mother. That still shocks me. I have nothing but fond memories of working with him.

Flipside once referred to you as “High priest of the fuzz guitar.” Where and how did your frenetic, buzz saw guitar tone develop?

Allan: I guess this story gets told by other guitarists. In theearly days, we would put vocals AND guitars through one amp and couldn’thelp but get distortion. Van Halen cites “Blues’ Theme” as his firstintroduction to that grungy sound. As the amps got bigger, I got into fuzzboxes — my first one was made by the Gibson guitar company. Your questionbrings up a performance at one of the Love Rides (that’s the yearlymuscular dystrophy benefit that features 20,000 bikers going from Glendaleto Castaic, Calif.). We were doing a sound check and the soundman (who didn’thave a clue who I was) said, “Can we do something about that buzz saw effect?

“What was the inspiration for your adrenaline guitar tone?

Allan: I did a few distorted tunes early on but it was the ?Wild Angels? soundtrack that really set the tone that would stay with me for the 35years since those recordings were made. Since it was a biker film, I guess I was unknowingly going for a Harley sound with the guitar.

Who sang the ?Wild Angels? theme? It sounds like it might be Nancy Sinatra.

Allan: I always love it when I’m asked this question. It was Barbara Pittman, who had been on the Sun label and dated Elvis in the ?50s. She and I did a few duets (“This I Say” from the “Dr. Goldfoot & The Girl Bombs” soundtrack LP, “Makin’ Love” from the “Wild Wheels” soundtrack and a Manhattan Recordssingle: “Sha La La” and “You Really Got A Hold On Me.” The latter threewere billed as “The 13th Committee”).

Did you ever get to meet Peter Fonda, Bruce Dern or Nancy Sinatra?

Allan: I almost met Nancy this past year. A “Wild Angels” reunion was planned and we were slated to appear and to back her on a couple of tunes. We were also supposed to do a tune on the “Wild Angels” DVD that is due out soon. My meeting with Peter Fonda was disillusioning. We were promised a slot on the “Love Ride” show; Peter changed his mind but was going to have me come up on stage and introduce me. He changed his mind again but I went to the event anyway. I was still excited to meet him so when I saw him, I went over and grabbed his hand and introduced myself. He said nothing, then turned and walked away. The person in charge was able to at least talk Peter into posing for a picture later that day. I think he was out of it that day because he seemed like a different person when I saw him on an interview a couple of years later.

“Blues’ Theme” was recorded as a vocal in Davie’s collaboration with The Phantom Surfers (Skaterhater). Was the piece originally composed with lyrics?

Allan: Curb threw some lyrics together for the vocal version that appeared on ?The Wild Angels, Vol. II? LP.

What is your current recording and touring set-up?

Allan: After a few years of using a Roland guitar processor, I retired it for a few simple pedals such as a Pro-Co Rat, an Ibanez Tube Screamer and a 30-year-old Vox Wah Wah. When we don’t have a back line supplied, I use a 1980 Music Man amp and the guitar I use is a Fender Jazzmaster (with alterations) that I’ve had since 1965. I rarely use anything but the back pickup full blown.

How old are you?

Allan: It’s hard to lie about it anymore since my career goes back 40 years! I’m 56. In the last couple of years I have seen Link Wray and Dick Dale play live shows. They were absolutely at the top of their games, and even though many of the songs were familiar territory, there was no hint (sonically or in stage presence) that these guys were well past the age to be collecting Social Security.

Looking to your future, do you see yourself continuing to record and play live?

Allan: Unfortunately, the money isn’t there (I desperately need a tune in a film!) but I have no thoughts of giving it up. I’m working on making a CDR of my home demos to see if I can find a backer to finance a new album. We still do live shows and a tour is being discussed for later this year.

Will you do a cross-country thing or just regional to California?

Allan: We’ve done trips to Northern California plus Seattle, Portland and Tucson. In July/August of 1999, we did a three-week East Coast tour and we may do a similar one by the summer.

In 1996 you wrote the song “Vanishing Breed” for Dick Dale. How did this come to pass?

Allan: Dick and I have only worked together a couple of times but we go back to the ?60s. He played on a tune of mine in 1985 titled “Surf Trek” for my ?Arrow Dynamic? vinyl LP. I wrote “Vanishing Breed” for him and he said he would record it. He even told me that his son was going around the house humming it. After two years, I gave up and did it myself for the flipside of my “Shape of Things to Come” single for “Total Energy.”

You have referred to 1996’s “Fuzz Fest” as being the best thing you have done, and it is a solid and remarkably fresh-sounding release from start to finish. Was it just good kharma? What made this one special?

Allan: It was one of those magical moments like I had many times in the ?60s. Dave Provost was on bass and David Winogrond was on drums. We were totally in sync. So, there we were — Davie, Dave and David. All we needed was to add Dave Davies on second guitar! We came close with ?The Arrow Dynamic Sounds Of? CD in 1999. Dave had bowed out but Pete Curry stepped in and did a great job.

You really almost got Dave Davies from the Kinks to record with you?

Allan: That would’ve been too cool, but it was just a standing joke because of all the Daves.

Who are your favorite up-and-coming guitar-slingers? Do any of the current pack catch your ear?

Allan: I rarely listen to today’s music. I guess it’ll be surprise to learn that I listen mostly to Elvis, Frank, Bobby (Darin), Mancini, The Beatles and big band music.

The surprise is that none of these are instrumental guitar groups!

Allan: Well, I did mention Nokie Edwards (The Ventures). Some other favorites (are you sitting down for this?): Keely Smith, Linda Ronstadt, Matt Monro, Perry Como, Glenn Miller, ELO and Heart.

Are there any fuzz-drunk guitarists out there today who cite you asan influence?

Allan: I’ve been told that there are but I’ve only heard from fans who tell me how much I’ve influenced them. One fan recently told me that his young son watched a video of us to see how I played “Blues’ Theme.”

What do you think of the Insect Surfers and specifically the song “Volcano Juice”?

Allan: We’ve done quite a few shows with them and I was flattered when I was asked to play on that track. David Arnson and I soon became friends and he even appeared as an Arrow on a couple of shows.

I know you are influenced musically by Henry Mancini, but among guitarists, who influenced you?

Allan: Even though the guitar was basically a prop, my first influence was Elvis, followed by Duane Eddy, Nokie Edwards and George Harrison. Another favorite is Scotty Moore.

Were you/are you a Hendrix fan?

Allan: Never got into Jimi. I’ve been asked many times if he influenced me and except for his Top 40 hits, I didn’t hear any of his fuzz/wah stuff until years later.

Your new live CD, “Live Run” is on the Total Energy label, which also released “The Arrow Dynamic Sounds of Davie Allan and The Arrows” in 1999 and re-released “Fuzz Fest” in 1998. Have they done a good job promoting your work?

Allan: Without putting any blame on anyone, we’ve had great reviews on all three CDs. We did an East Coast tour in ’99, we won the LA Weekly Music Award for Best Instrumental Band of 1999, but there has been very little money made as far as CD sales.

Rumor has it that you either recorded an album of all surf stuff(fuzz style) or someone put out a compilation of your more surfy songs.True?

Allan: You must be referring to “Surftime On LBI.” That was anobvious bootleg that someone put together (badly) in New Jersey. The tuneswere re-titled. For instance, “Cycle-Delic” became “Surf-A-Delic” by DavyArrow & The Allens (nice spelling of both names).

What was the original idea behind your magnum opus tune “Cycle-Delic” Some fans think it’s the most free-form song you ever did. Were you influenced by outside trends or sources?

Allan: It was just something we started jamming on that tookshape after our August 1967 tour. When we got home, most of it was makingsense to us so we went into the studio and recorded it. We were reallyhappy with the result. What a shame that the multi-track tapes are gone;how I would love to hear it in stereo!

How long have you been playing with your current Arrows lineup of Lee Joseph on bass and David Winogrond on drums?

Allan: Lee goes back to 1998 as my bass player but we had crossed paths in 1990 when he released my “Old Neck And New Strings” LP. It wasre-released on CD (with extra tracks) and re-titled ?Loud, Loose And Savage?in 1993 on the Iloki label and then re-released again on Lee’s Dionysuslabel in 1999. David and I did one track together in 1987 (“The MissingLink”) but he didn’t become an official Arrow until 1994.

Your accompanying group throughout the ?60s was variously referred to as The Visitors, The Hands Of Time, The Sidewalk Sounds, etc. Is there what you would consider to be a “classic” Arrows lineup?

Allan: There were two classic lineups. The musicians who did ?The Wild Angels? and many other tracks were Larry Brown on drums, Drew Bennett on bass, Russ Viot on rhythm guitar and vocals and Jared Hendler on keyboards. After “Blues’ Theme” hit the charts, the traveling “Arrows” (and a few sessions) were Drew, Don Manning on drums and the multi-talented Wayne Allwine on rhythm guitar and vocals. Wayne is a great guy and we still keep in touch. I always love telling his story. He became the third official voice of Mickey Mouse in 1977 and married voice-over actress Russi Taylor a few years ago. She is the voice of Minnie Mouse!

Did you really write and perform more than 20 movie soundtracks in a three- year period back in the mid-60s?

Allan: We actually worked on about two dozen “B” movies. Mostwere awful but a few cult favorites came out of the bunch such as “The Wild Angels,” “Devil’s Angels,” “Wild In The Streets” and “Born Losers.”

How involved were you in scoring the movie soundtracks?

Allan: We recorded many full tunes although some were done in snippets. Soundtrack albums were planned so we did some versions especially for that purpose. Also, in a great many cases, some of our previous recordings were remixed and retitled.

Did you ever visit the movie shoots and/or do any kind of cameo?

Allan: The band was in one perfectly awful film titled “Albert Peckingpaw’s Revenge” in 1967 that was retitled “Jennie, Wife Child.” Someonesent me a video of it about eight years ago and it was worse than Iexpected. I was also in the background of another bad one titled “WildWheels” in 1969.

Is it true that you have never ridden a motorcycle?

Allan: Yes, but I do ride a bicycle on occasion.

Merl Haggard, Kacey Jones, and more recently Hank Williams III have complained bitterly about getting screwed by Curb Records. Tell us a bit about the history of your business relationship with Mike Curb, the good, the bad and the ugly.

Allan: I’ve been working on a story about my relationship with him for about six years. I’m holding back on telling it because a deal is being offered to sign off on the ?60s and start with a clean slate to re-release all the old tracks on CD. Many labels have approached me (in hopes that I owned the old recordings) to do box sets. Curb owns everything and has refused to lease anything out except for “Blues’ Theme” that has been on a few comps, including Rhino Records Nuggets four-CD box set that did quite well. Thankfully, I got my co-writing credit back because I’ve received nothing as the artist. Who knows, Curb and I started together in 1961, maybe he’ll get tired of all the bootlegs and take those recordings off the shelf and put them back out there where they belong.

I’ve seen elsewhere a reference to the year 1963 as the date you began working with Curb. Was 1961 when you were still going to high school together?

Allan: We met in the high school choir in ’61 and started doing demos in the studio soon after. The first releases were in ’63.

Was the song “Curb Job” a shot at Mike Curb?

Allan: That’s a tune that Mel Bergman (Phantom Surfers’ guitarist) wrote for me that is really a mafia term. It’s so disgusting that I would rather not describe it. It was also a shot at Curb. I did another project with Mel Bergman, a Ventures take on The Ramones. We called the group theRamonetures and an LP and CD came out in ’99. It was quite a challengefor me in that I had to learn the melodies of 16 tunes that I had neverheard before. It was released on the Blood Red Vinyl & Discs label.

What are your hobbies, outside of music?

Allan: Movies, a few TV shows, hiking, bicycling, softball. I used to collect autographs but got turned off when Steve McQueen and Ali MacGraw turned me down at a club I was playing in Palm Springs. I also collected View Masters as a kid but all I collect today are Hallmark’s “Star Trek” ornaments.


In addition to Allan’s recent discography, there are various bootlegs floating around on the market, including a recent CD of the 1967 ?Blues’ Theme? LP. Perhaps the popularity of these bootlegs will helpconvince Mike Curb to release official versions of those oldrecordings. Fans who wish to rattle Mike Curb’s cage can write to him at47 Music Square East, Nashville, Tenn. 37203-4324.

Several Davie Allan CDs are available directly from his Web site, www.davieallan.com, including “Fuzz Fest,” about which Davie comments, “This follow-up to “Loud, Loose and Savage” was first released on AVI in 1996 and then re-released on “Total Energy” in 1999. Where does this one come in on the list of my almost four decades of recording? My favorite, my best.”

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Bikernet Correspondent Sneaks Into Premiere

The Mann’s Chinese Theater was the scene of Biker Boyz madness as over 200 motorcycles paraded down Hollywood Blvd doing tire burnouts, charging and revving as if making the movie for the forbidden wheelie that was banned for the procession. The stars of the movie were not only Lawrence Fishburne who plays “King of Cali” character “Smoke,” Lisa Bonet, the on screen leader of Total Package MC, “Queenie,” Derek Luke, a racing prodigy “Kid” with attitude who plays the young nemisis to Smoke, and Kid Rock as “Dog” who gives the movie a bone with his bits of sarcasim and snyde confidence. The stars featured the real clubs and street trick riders who appear throughout the movie.

I had the pleasure of sitting with some of the Ruff Ryder crew, trick ryders and the real ladies of Total Package MC who paraded down the blvd with style and ‘tude. The movie is entertaining and portrays a little known motorcycle culture that truly knows how to maximize their ride and hang tough. Talk about one with the bike, these trick riders know how to completely infuse their bodies with their bikes and make their crotch rockets do wild tricks that take the name motorcycle and transforms it into motorstyle. These cats are stylin’ and profilin’ with their motorcycle clubs and their scoots like not other.

“Burn Rubber Not Your Soul” is the tag line to the Biker Boyz MC. Directed and co-written by Reggie Rock Bythewood, the film uniquely tells the tale about the underground street racing and the intensity of keeping the coveted title and not giving up your lid to some kid who arrives on the scene saying he’s better than you. It’s an action-packed flick and the stunts and racing scenes alone are enough to make this a must-see film. The story is really not so in-depth, or deep that it takes over and there’s no screen time for the bikes, which is great! It’s light enough that it stays fun, presents interesting characters and keeps the story moving along. The cinematography is killer and draws the audience into the lightening-fast scenarios. The film, based upon the New Times article of the same name penned by Michael Gougis, holds your attention and immerses you into the club life of these street racers and trick riders.

It was incredibly fun to see the movie with all the cast and crew members. Talk about whooping it up! The entire theater erupted into familiar yelps and cheers upon seeing the actual club members and stunt riders tearing it up on screen. The premiere was staged with that touch of reality that made it all right and all real. There were absolutely NO POSEURS at this event. And there are NO POSEURS on screen. All the stars of the movie have an affinity for riding hard, even though there were stunt doubles to take on the task of acceleration and dancing their metal down the boulevard like some aggressive catch-me-if-you-can tango.

Burn rubber and catch this flick on the big screen.

Biker Boyz is a DreamWorks feature film presentation produced by Stephanie Allain, Gina Prince-Bythewood, Erwin Stoff, and 3 Arts Entertainment, with Don Kurt serving as executive producer.

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Jose Interviews Billy Lane

Billy interview

Our Caribbean reporter was recently blessed with the opportunity to ride to Sturgis from the east coast with Billy Lane, the creator behind Choppers Inc. Billy and Jose partnered with Roger Bourget for a Discovery Channel adventure to build a couple of bikes and tear up the streets between the east coast and the Badlands. The wild aspect of this show was the combination and comparison of Bourget’s state of the art industrial machine shop and Billy’s blacksmith Chopper building warehouse where wild components are fabbed with a torch, a hammer and by hand. Billy recently lost the tips of a couple of his fingers in an open belt drive. He’s a man, and a wild chopper fabricator, who does it his way, with his mits, then rides the shit outta the machine he creates. The true test of a man and his abilities.

Jose, put this brief interview together with the newest Discovery Channel star:1

Bikernet: What do you like doing at the shop the most?

BL:I like to build custom bikes, that’s my favorite thing to do. Unfortunately, it’s the one thing I have the least time to do.

Bikernet: What do you like to do that is not related to bikes ?

BL:Besides bikes, I like to surf and work out, I could give up bikes and surf for the rest of my life…and I really love bikes…

Bikernet: What’s in the future for you and Choppers Inc ?

BL:Discovery called us and they want another TV show, I’m going to start riding the Wall of Death with Rhett Rotten in October, another Hubless bike. We’ve been talking to Camel about building for them next year. That would be great .

Billy interview

Bikernet: We all have grown so much in the past years, did you expected this?

BL:I’ve always expected my business to grow, but the last year has been insane. I’m hesitant to even think about next year.

Bikernet: I feel kinda bummed sometimes, now that everyone and their mother builds choppers, How do you feel ?

BL:Everyone isn’t doing choppers, it’s just that the public has been duped into thinking that anything with long forks is a chopper. There’s a lot of garbage out there. I laugh at shops that last week were called X-Cycles and now are called X-Choppers. Fuck you people for that !

Bikernet:What’s your favorite bike, of the ones you’ve built?

BL:Of all my bikes I like my Blue Shovelhead the best, kicker only, basic, no nonsense. My Hubless bike is by far, the best bike I’ve ever built. I haven’t turned a wrench on it since I finished it, but I like the Shovel best… ( the Hubless was rode from North Carolina to Sturgis and the Blue from Melbourne to Sturgis, both made it !)

Bikernet: How do you feel about your Discovery ride experience ?

BL:The Discovery ride was unreal. We had such a great time, twenty plus speed junkies does it for me. That was one of those once-in-a lifetime things that I’ll never forget. I just watched it on TV last night and laughed my ass off.

Bikernet: People are generally so afraid of rigids, can you convince them not to be ? What do you think makes a good riding rigid ?

BL:Rigids are so much better than Softails. I don’t consider any bike with Softail suspension a chopper, but that’s just my opinion. I tell people who want Softails to go someplace else. That usually convinces them to stick around. A bike needs proper seat height and positioning, proper foot control and handlebar placement, and a reasonable amount of trail to work well.

Billy interview

Bikernet: Now that you’ve been in so many magazines, which is the one that you would really love to be in, besides Penthouse ?

BL:Well… Howard and I have a running joke about me being in Hot Bike. We are planning on two shoots in Biketoberfest . A Hot Bike cover would be nice.

Bikernet: Any message to the people of Puerto Rico ?

BL:I’m going to come to PR to surf, so don’t snake me !!!

Bikernet: If you were not doing this (bike building) what would you be doing ?

BL:If I weren’t doing bikes…. I’d be a musician, a pro surfer, or a pimp.

Bikernet: Who’s your favorite builder, besides yourself, today and why ?

BL: My favorite builder is probably Chica, he’s got class. Period.–

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An Interview With The Caribbean Connection

It’s all about love and American Romance with the creative side. We’re lucky bastards to be able to build whatever we feel and drive it off a cliff, if we so desire. Just 50 years ago a blue collar guy would think about working in a steel mill all his life. Now that same guy can build Choppers and chase women every night.

Fifty years ago that would be a man’s dream only. Here’s the story of one lucky bastard who was born with sand under his feet and a sea breeze cutting through his dark hair. Even as a youngster he was surrounded by women in graceful bikinis. In addition, his parents didn’t badger him with rules and goals but let him find his own way. This is his story and the story of Caribbean Custom Cycles:

Tell me about where you grew up. What was it like, from the geography to the people to your folks?

I grew up here, in Puerto Rico, on a large neighborhood with plenty of land and lots of fun stuff to do. We had all kinds of animals around the house, since my grandpa was a scientist and explorer. I always had “toys” to have fun with: bikes, guns, horses and stuff.

My mom was, and is, cool about all the crazy shit I do. I was no saint. My grandma had the heavy hand though! God bless her soul. I was not a gearhead or even close. Sure we all messed with bicycles and customized them, but nothing like tearing apart motors and such. I remember spending several weeks trying to put a carb back in my 100cc Kawasaki dirt bike, until a real mechanic fixed it. If I knew then what I know now…

Fast forward a decade or two, I have lived in lots of places for short stints, doing what I wanted to do at the time be it surfing, sailing, racing or even nothing. But I always came back to my home. I was having so much fun doing all this stuff that I never sat down and thought about what I wanted to be when I grew up. But always managed to do what I loved.

I had the privilege to go to very good schools and college, but noticed that a good education is balanced by hands-on experience. It was easier to take a history class after spending a month all over Europe, if you know what I mean. And always, even not wanting to, my parents were OK with the “different” ways I did things. I guess that’s how I learned the meaning of respect, and was able to manage my freedoms.

One lesson learned by all those trips was how to make it work. We managed and never tried to bite more than we could chew. Like on my time in Hawaii, we were seven in an apartment. I slept on the balcony for two weeks before I could upgrade to the living room. We all shared the pizzas and we paid for one buffet at Sizzler and all seven ate. Sometimes one of the guys would call in sick and I’d take his place, make some money and live the rest of the week, but we were having so much fun and surfing all day, every day. I mention Hawaii because it’s very similar to Puerto Rico, the lifestyle and the people.

As I said before, I always end up back home. This land is were I was born and probably were I will die. It’s a rare combination of a Caribbean island with the U.S. mainland. We are like any big city in the world with all the advantages, although it’s a bit sad that we have lost that island thing, you know, that slow pace, kinda lazy, fun, let’s got to the beach, tropical, thing. Like, I love New York City; it’s the greatest place in the world. But when you think of the Caribbean, you think of pristine beaches and cool drinks under the palm trees. Sure, we have that, but we also have a bit of New York style in here. It’s also a great place to ride, with lots of mountain or beach roads to travel, all in a day or a year. I have been around the island on bikes, sailing and surfing, and it’s an amazing place any way you look at it. The people are very friendly and for the tourists, there’s convinience, most people here speak English also. We have the oldest city in the Americas and rain forests. It’s a very complete package for a tropical island. One of the main reasons I stay here, or come back, is because I love it and have been able to make it here one way or another. I believe only weak people leave their homeland to look for fortune in other places while not making their home a better place by their presence and work, but hey, that’s my opinion. I know it could be more profitable to open shop some place else, but this is home, my Puerto Rico!

Tell me about your first bike, how you got it, what did you do to it and a funny story?

My first bike was a minibike chopper, white with purple accents and apes. I remember it was a birthday gift from my mom. I did nothing to it but ride the crap out of the poor bike and get a pretty strong right arm from yanking that damn yo-yo. A few of my street buddies had bikes too, like z-50s and trail 70s. Since my grandparents had a couple acres of land, we built a dirt track. The downside was that the last jump (maybe a foot or two) was right over my grandma’s roses and into the driveway. Needless to say, she was not too happy about the huge gap in her rose rows, but the cement driveway was a must. It was the only place that we could pull back on the bars, twist the throttle and pop a wheelie before hitting the dirt again. One time, I don’t exactly remember when, but I know it was a holiday and lots of people showed up at the house, we were riding around and when I came flying through the roses there was a car parked there, soo… The dent on the door was not a pretty sight and the driver was not a happy camper. The little chopper and I were bruised but survived, and no one, ever, parked there again. I can’t remember what happened to that bike, although the next one was a 100cc and I remember from then on, that was some twenty-something years ago.

Tell me about your first H-D

My first H-D is the one that started it all, we–me and my friends–did not have much money then. We were surfing all the time and all the money we had was spent on surfing trips. We were in between skipping school and working a bit, you know, being rebels. This is during the mid ’80s. We were spending some time in Miami and a friend from Puerto Rico had a Harley shop. We thought that was the coolest fuckin’ thing to do and when we got back we started looking for bikes. Only cops and old-timers rode Harleys here. A couple months later my friend found two bikes on the east side, a 65 and 67 FL. I did not have the money so someone else got the 65. I waited and saved a bit. Later on I found a 77 FXE for $1,500 and ended up paying less since the battery and some other stuff did not work. I had no idea whatsoever of how things worked; a spark plug change was my mechanical skill. I remember riding for months with a bungee strapped battery and dripping a quart of oil every place we parked. Even had the bike parked for a month ’cause I would not dare taking a front flat tire off the bike. But man, when we rode those suckers we were the baddest dudes in the world, and we went everywere. People saw us and started buying bikes too. Soon we were six then ten, then fifteen, and it has not stopped since then. I remember reading those Easyriders end to end, over and over, while drooling at the choppers. My first try at customizing was a cheap drag bar and risers from Superior. I thought that FX was hot shit! Like always, money would go into a surfboard rather than the bike, so it stayed as it was for a long time. I ended up in California–another long story–and saw the bikes there. This was before the helmet law. I got to ride a Sporty around. By then I was starting my new career–racing cars– and was making some money, so when I got back I started searching for another bike so I could customize the FX. That was 13 or so years ago and I still have not completed the bike. I have a funny feeling that when I do the world will be over. I found a ’64 Pan and that was my everyday ride till 1995, besides the ’63, ’65 and ’70, when I got my first Evo. I beat the crap outta that Pan and every day I would ride to Old San Juan to my friend’s shop. The bike would always stall in the same place; we thought that it was possesed. Many sweaty kicks later, it would come back to life. A couple weeks later I noticed, at the same corner, that the choke was on. I guess the vibration would loosen it until it stalled the bike, yep, at the same spot. I still have that old choke lever around. Man how it made me sweat!

How did you get into building bikes, who taught you, and when did you start?

It’s like everything I’ve done in my life. If I like it, I work hard at it. First we did a few things to bikes until a friend decided to do his whole bike. We had the race car shop, so we had a bunch of tools, and my dad, who’s very handy with mechanical stuff, helped us out. Other than that, was instinct and stupidity. I was very limited in my skills, but we managed. The bike ended up being really cool and we ended up doing some more friends’ bikes, mostly stuff with a good set of instructions or we’d hang out at old mechanic shops and watch how it was done. From then on I was busy with the racing schedule, so the fun part was restoring the bikes we had, like a hobby, and buying more old bikes when we had some extra money. Even my dad got into it, which was great. Though I don’t like his style, he can build a pretty mean bike. I can say that my ’64 Pan taught me how to work on bikes. I learned to listen and take care of her, to keep her riding no matter what and wrenching roadside if I had to. Sometimes I wish everyone had one of those old bikes before getting one of those TC craps. Mostly it was hands-on. One day I dared to do this, later something else–always on my bikes first though. All the old mechanics helped out too; Charlie, Papitin and Batalla were always willing to answer questions and happy to see me hang out at their shops. Manuals helped a lot, as well as my dad. What I consider my first build is a bike I called Mala Fe. It has a Bourget’s rigid frame, and an STD/S&S Panhead motor. I had been working for a couple of years and had met a few people. The guys from American Iron Magazine decided they were going to feature my bike. The catch was that it had to be done for Bike Week. It was December and I was trying to beat the deadline. We had to ship everything and money was not rockin’. Being a bit hard-headed, I had to build the engine and everything else. It was a mix of parts and even Nitrous. Well I spent three weeks of working from noon to six a.m. The day it was done I rode to the local strip bar and early in the morning to the dock. when I got the bike to Daytona, it left me stranded on the road–and it was fucking freezing too. I was so tired and so pissed that I took it to a friend’s shop and they fixed it for me. It had a loose pushrod and had blown the head gasket. I made it to the shoot and ended up on the mag–the bike was all black and polished, with a pan. It was quite different, so I pushed that bike all over Daytona since the battery was crap. Never, ever bought another from that company. I ended up riding that bike all over the States, Still have it.

When did you consider opening a shop and why?

Like I said before, when I do something I give it my best shot. Racing cars is great but unless you are in the very big leagues, or your parents have very deep pockets, it’s very hard to become rich. I noticed that in Puerto Rico there was a heavy-duty movement towards Harleys. The two local shops sold hard parts and chrome add-ons and the mechanics dealt with older bikes but no custom stuff. What started as a hobby ended up as a real job. We were doing more and more bikes, very simple stuff, bars, forwards, pipes, paint, nothing fancy. I was buying from a local shop, but I ended up buying so much that I decided to get my own lines, sold the race car and converted the garage into a bike shop. We had the tools and the space so it was pretty simple. Plus I managed my own time, went sailing when I had to and came back to more jobs. I made some money and took off once more. I have never believed in being the richest guy in the cemetary. I travel, learn and do as much as I can. One thing lead to another and more bikes rolled into our shop. We expanded the work, always doing the stuff on our bikes first before venturing onto a customer’s. By 1996 we were doing some cool custom jobs and had the first real custom bike from Bourget’s in the island. We have managed to stay a step or ten ahead of everyone else; homework and traveling do the trick. Tell you the truth, all that has happened in my life has been by chance and by paying attention to what’s around–besides heavy doses of hard work and a will that has no limits. I don’t quit unless I think that I am as good as I can be at that certain thing. I’m not tooting my own horn, but I’ve had an amazing 36 years. Why I do it? Well it’s simple and complicated at the same time. I love choppers and my whole family rides. We have managed to locate our tiny island in the Caribbean in the V-twin industry. People know who we are and call us to congratulate every time we are featured on a magazine, they follow our reports here on Bikernet. I have friends and family making the shop run as it should, and we have hundreds of customers that trust us and would not buy from anyone else. It’s a compromise; I created this and have to stick with it, like it or not. There’s no rest for the wicked. Anyway, I enjoy every bike I design or build. I enjoy the time we spend with our friends in the industry. I enjoy riding with friends and family. I love it when Yoly rides her chopper and when a customer enjoys his new bike; plus we make money to make new bikes.

Tell me the trials and tribulations of having a shop on an island in the caribbean?

I might bitch about this sometimes, but this is my home and it will always be. We don’t have a special construction law, so it’s almost impossible to register a “homemade” bike. That hurts our shop a lot. We have to go through unbelievable red tape to be able to register the bikes that we build here, sometimes taking as long as a year. We distribute a couple brands from the U.S. which makes it very easy for us to register since they are manufacturers. But we have to ship everything in, and shipping a ten- foot-long chopper is not cheap! Plus, we pay taxes when we bring the goods in, not when we sell them, which is great for the customers but sucks for us. Also, the logistics of getting a bike from Phoenix to Puerto Rico would give anyone a headache. Population is another issue; we only have 3.9 million people and around 5,000 Harleys. Our bikes are not on the inexpensive side. We have worked really hard to let people know what a custom is and why it’s not even close to their factory ride. In other words, why should they spend their money. I’m not big in promotion, or advertising, or talking shit. I let our customers show others how much they enjoy their stuff. And since it’s such a small place, people know each other. On the other hand, when we get a Kamikaze customer who trashes the bike, we also get the bad rep. The worst part is having people opening new shops and riding on your coattails. We try to be exclusive dealers for our stuff, but we are limited on the amounts we can buy so sometimes it’s hard. You bust your ass introducing something new to the market and the “other” shops just copy what you are doing. By the time the dust settles, we are already working with some new stuff, or we just quit selling that brand. I sell to all the Caribbean and sometimes wish their laws were easier. It’s like selling stuff state to state and all are a different ball game. Also, some have more buying power than others. And let’s not even talk about all our trips to the rides in the U.S. It’s a complete full-time job getting those sorted out. I know I could open a shop in Miami and make my life easier, but this is my home and I’m sticking to it. A couple years ago, customs started showing up around the island and then comes HOG. Everyone goes into Harleys so they can become members; it’s time to suck it up and rethink your plan. Also, the U.S. companies that can offer cheaper prices make a big hole, but we can give person-to-person service; they can’t.

Tell me about the shop, everything, size, equipment, services, bikes, stories about customers, the wildest Bourgets owner?

In reality, we have three shops, nope, four: a 1,200- square-foot showroom in downtown San Juan, where we have the bikes, parts and everything else. We also have a huge parking lot, which is a must. We just opened that a year and a half ago and it has boosted our sales incredibly. That’s were I spend my days, and Yoly too; that’s the hub of everything. We also have a small shop, let’s say 800 square feet, that I use for building bikes, and it’s equipped with the stuff that I need to build the bikes. I still do most of the choppers we build personally; it’s not easy but I maintain a certain control on what they receive. Once the bike is done, anyone at the shop can put it back together; we are all very capable. Then the third shop, which used to be the race car shop, is around 5,000 square feet and it’s on the same property. That’s where we do all the service, parts installations, and modifications. It’s also full of tools and what’s needed to work on the bikes. Between the two shops we have all the tools and machines we might need, but we still don’t have good lifts. It’s been a pain trying to ship them over. And a CNC machine would be really productive. We have in-house painting, a powdercoater close by, we do metal work, etc. We take a little longer on doing stuff, but we don’t do hurry-up work. When we put our little sun logo on a bike we are putting our name on it and it has to be top-notch work. Though choppers are not perfect and never will be, we don’t see customers stranded on the side of the road, even the Kamikaze ones. Sometimes I see what other shops do and wonder how they dare to send a bike down the road with such a shit job. In a sense, we are responsible for the well-being of riders. If they do something stupid, so be it, but not because of us. The fourth shop is a partnership in Orlando, Florida; it’s kind of a franchise. They sell Bourget’s for that area. Now going back to the showroom, we are dealers for anything that you might imagine, all the big ones and the up and coming too. I have a gut instinct on what will be the next rage or top guy and most of the time I hit the spot. We also have a bunch of people that we have been working since the start, ours and theirs. I could not mention all the lines we have, but for motorcycles we are exclusive distributors for Bourget’s Bike Works and Big Mike Choppers in the Caribbean, and a few other manufacturers that we don’t buy from. But I’m sure they will tell you to call us for a bike. We have based our business relationship on friendship and honesty, first and foremost. Money comes and goes, but friends are friends. We’ve been working with some people for over ten years now and in this industry the tide rolls and you are hot, the next day not. But the good stuff does not fade away. I would mention some of the names of the manufacturers we deal with but we don’t have that much space and our pseudo competitors will read this and copy us once more. We also believe in being fair. Why overcharge and try to screw the same people that are paying your rent? That’s why most of our customers become our friends and bring other friends. The same story as the H-D buying friends applies to our bikes. We have the craziest Bourget owners. I bet they put more miles on their bikes in this tiny island than any in the States. I do every bike like it was for me. If you see the photos, our bikes might be a bit different than those flashy dudes you see on Main Street. This guy puts a good 250 miles every Sunday on their choppers, rain or shine, sometimes even more. I just built a bike for a guy in Boston and he put over 4,000 miles on his bike in three months. That’s sick! Remember, we are an island, 100 by 35! We’ve had guys pick up their brand-new bike at 5 o’clock and do burnouts later that night. They have to change the tire a couple days later. Most of these guys enjoy their bikes and treat them well. We have test pilots too, drag racers, and bikes that have been to Sturgis at least 5 times……All in all we have fun.

Why did you choose Bourget over others like Titan, Big Dog, etc….?

Because the others suck!!! Kidding aside, I have this gut feeling about stuff. I met Roger and Brigitte in ’96 when they were starting. I saw a bike there and liked it. It was different and he was doing most of the stuff. We ended up bringing that bike back to Puerto Rico and became dealers. I believe we were the first dealers, not counting Bourget’s of New York. I rode that bike for a year before even attempting to sell one. I had to make sure that it would work for our island and our prospective owners. Anyway, Roger had a car tire bike and my bike was a 190 tire. That was 1996; I guess I saw the future. Without knowing it, I saw hard-working people willing to make their efforts pay off. I was right.

I don’t want to throw dirt at any other company, but the other manufacturers were doing stuff that we could do at our shop and buy the same parts that they did without having to pay for a name. Time proved me right. I have an opinion on every manufacturer. I watch them and get the inside information, but I have never doubted Roger or his product. He has an edge. He fabricates 95% of his bikes and he builds what you want, ugly or cool. He dares to break the mold and it works. He sees the future trend and they bust their ass to keep everything going, plus they are not spending shitloads of money on Playboy bunnies and monster shops.

We also got BMC last year. I saw the same thing: young, hard-working guys with a plan, no nonsense and no bullshit. They’ve sold a lot of bikes, so I guess I was right once more. I have not been able to sell that many, but it’s a slow process for us. It took four years to start moving Bourget’s, and I’m not saying how many we sell, just in case the tax man is reading, but we get by. And as soon as we get the fear out of riding rigids, we will do the same for BMC. It’s really simple, if you do your homework. We are very good friends with Pure Steel, but the price is out of range for our consumer, same as American Iron Horse. We think it’s a solid company, but our market is limited. Why be a dealer when we can’t put in the effort. I don’t want to sell a bike a year. Big Dog is solid, owned by Coleman, so it will never run out of money. But we can build a Bourget’s as you wish for the same amount…no brainer. Just to make it short, what other company can build a good quality product, the bike you design, for under 40,000? No one. Then again, Roger and Brigitte are family to us and they build a good product. I have the riders to prove it.

What do you like doing the most at the shop?

Calling all the 900 sex lines… Designing and building the bikes, putting the puzzles together. I get bored when I do the same thing. I like a challenge now and then. That’s why I build a bike over a weekend; it’s a challenge. I like redoing stock bikes. I love it when the guys tell me to do what I want. And when they see the final build, their grin says it all. I also like having people come back after buying stuff that we recommend and loving it. This might sound stupid but I like making people save money, getting the right parts and avoiding the crappy ones. I hate working on a schedule. I hate impatient people and liars. I’m stuck at the showroom so after we close I go and work on bikes. The ones I’m building, I can’t wait to get a new shop with both things on the same place. Lots can be done in idle time. I also hate solving other peoples’ problems. If a shop sold you crap, call ’em up, not me ! I love old bikes, any Panhead over any other bike, hands down. I like having an idea and seeing it become something. I also like having stuff that no one has and that looks really cool.

Tell us about your relationship with WCC, about building the bikes and your customers?

Again, gut feeling and a bit of information goes a long way. I knew who Jesse was quite a while ago. We never talked and barely met each other at some places in Indy. I saw his green CFL and thought it was very cool. I talked to him, but nothing concrete. I found out he was chosen for a TV program on Discovery. I ordered a frame and shirts before the program aired, so by the time everyone was doing the West Coast mania, we had the stuff available. We are his dealers in Puerto Rico and bought seven frames in three months, plus a shitload of shirts and stuff. Put it this way, we had the market covered before the others knew what hit them. Jesse does not mind us doing his bikes at all. I send photos of the done stuff and he likes it. He can’t do all the bikes he would want to. We are even doing bikes for people in the U.S. And even though they are his frames, they are still our bikes. It works pretty well. I spent a good chunk of cash and people get what they want, even though they are still afraid of rigids. It’s all related though. We are on the same bandwagon, maybe not on the same scale, but it’s all young people trying to make a name for themselves and being good at it, having fun and making a buck. Sometimes it pisses me off when people bad-mouth Jesse. He was lucky enough to get his shit on TV, and jump from trying to make it to rolling in it. But it has helped everyone in this industry. People know what a chopper is, or how it’s made, more so what it takes…. Sure there’s some drama, but mostly it’s true. I see people that are pushed month after month by magazines and they don’t make it. At least Jesse is good and making it. Anyway, it’s pretty simple. Anyone can call us up and I’ll build a CFL in three months. You tell me what you want. Actually, the orange bike is for sale and we have a softail and rigid frame available, that’s it.

How do you compare your customers with H-D dealer ones ?

We share customers; I have a great relationship with the local dealer. I think that Harley as we knew it ceased to exist in the ’80s. I have customers that want something that the factory won’t produce, or that are sick of having to wait for a bike, spend a shitload of cash and having the same bike as his friend’s. We sell stuff that is different, new and exciting. I realized a long time ago that if you want a Harley, go ahead and buy it, but if you want something unique, that’s where we enter the picture. Right now we have some bikes that are competitive with H-D’s prices and people are buying them, and their friends are getting into them too. It’s like there’s a lot of people that buy a bike and become instant experts, or see a bike on the side of the road and assume that it broke and it’s crap. H-D is God to them and everything else is a lame clone, but those few that are smart and want their stuff have realized otherwise. When we finally introduced the “custom” bikes to Puerto Rico after a few years of work, HOG appeared and people started buying H-Ds ’cause HOG was cool. That set us back a bit, but instead of ranting and raving we kept doing what we did and more people noticed that custom bikes are not taboo. It all ends up working quite well. I believe the aftermarket industry is what has made H-D the powerful company that it is now. And H-D bikes have made the aftermarket industry what it is today. Then again this “hobby” is like anything else. We have a more complete availability of parts and accessories than the factory, and the more modern they go, the more basic we go. Plus, we have the advantage of creating what we want quicker than the corporate gears can and adapt or even create the new trend. There will always be pro factory consumers, which we don’t look for, and consumers that will vary their needs and look for the “other” things which is what we have. I work on an honesty basis, so I don’t run to the local dealer to make a profit on a part. I’d rather call the dealer up and refer the customer; it might make less money but I have customers that trust us, which is more important. On another thought, we tend to do our own thing, not follow someone else. We try not to laugh at the people that wear all the latest “company” fashions or die if they don’t have the new TC 88. We beleive in function and simplicity, not looking like a fucking peacock on a parade. If it was up to me, Puerto Rico would be full of rigid panhead choppers, but that’s another story. We have people riding choppers. The next step would be getting them to buy rigids… It’s all a matter of growing up in a lifestyle. The RUBs and wannabees will pass on to the next fad, and the ones that hang on will mold into newer stuff. Since we are not money hungry, we can choose who we want as customers and are able to respect other people’s customers.

What about the future? Does anything concern you? What do you look forward to?

That’s a tough one, but I will try to stay within the industry. I see Billy Lane and Choppers Inc. making it big time. I see a decline in H-D stuff and a move toward custom stuff without all the EFIs and V-Rod crap. I would love to see a Puerto Rico Bike Week, get rid of the helmet law, get a special construction law, ride Sturgis without fearing the cops. I wish not to see Sam Orwell really happen. I see more bikes like the old choppers and bobbers, less techno-lime shit. We will do our own style of bikes pretty soon, have a new shop with everything in one place. I’d be happy selling 50 bikes a year. I see Bandit owning Easyriders and making it like it was. I see the Horse being the #1 magazine. I see Mike Maldonado getting the place that he deserves in this industry. I see a lot of things in this world of ours, and good things happen to those who deserve it. I think a lot of what would happen, that’s how I stay on the edge of things. That’s why I move around and do stuff. That’s why I write, why I ride. We all think of the stuff that we would do tomorrow. I also think that I will have time to rest, that the shop will run itself. I guess that’s why most builders are insomniacs–they are always thinking what they would do next. Lots of things concern me, from very tiny, to very big….. This world, the status of our island, what tomorrow might bring, the health of my family and friends, love, kids, freedoms lost, lots of things…..many, many, things. I look forward to being the first Puerto Rican Hamster, the cover of Easyriders, being respected by my peers, financial stability, being able to enjoy the fruits of our hard work, the next issue of The Horse, getting my next bike done, not fighting with Yoly….you know stuff like that…… I also look forward for the success of all my friends and the demise of all my enemies….

We are working hard in our clothing lines, Chopper Freak ™ and for girls Chopper Freak Chick. We are starting with shirts and caps, but the sky is the limit. We are planning on doing a few of the main events as vendors and see how it goes. Also, I’m thinking about a parts line…..but that’s another story.

Just Some Of The Machines By Caribbean Cycles
Click On A Photo For A Better Look

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Choppahead

Choppaheadtruck

Dirtbags and fluzies – as the newest Bikernet operative I guess some introductions are in order. The name’s Big Truth. I’m transmitting to you from Boston, MA. My mission is to cover local events, profile bike builders, and throw some tech articles in your eyes from time-to-time.

Choppaheadtriumph

Bandit suggested that I start off with a profile of my company (Choppahead) so that you can get a little familiar with my background and what I do. Choppahead is a greasy, grimy, gritty, hardcore chopper oriented clothing, parts, and mayhem machine company. I got this thing off the ground a year and a half ago and since then it’s grown into a monstrous industrial giant. I’m hell-bent on world domination and everyday I laugh menacingly while rubbing my hands as I watch fleets of trucks ship my evil wares out to the unsuspecting world. Mwoohahaha! POP! (Hear them daydreams shatter back to reality?) Actually, I still operate out of a hidden garage located in a murky Boston alleyway. No storefront. My garage (which three of us share) is my shop and warehouse; my bedroom is my office and multimedia studio. And you thought hi-fashion and chopper building was all glamour?

man with lift

Choppahead designs (whether it be for clothing, parts, or bikes) are rugged and menacing but simple and to the point. Basically, everything we do is a big “Fuck You” to all the bullshit out there. Nothing is watered down. I embrace being part of the dark underbelly of society. The people who rock my products tend to be of the same caliber.

Highbar bike

A word on our bikes. Choppahead builds gritty choppers to ride, not to show. Actually, you can show them, too – the 64 Triumph chopper that’s for sale right now took an honorable mention trophy at last year’s New England Motorcycle Spectacular. “Big deal,” you say, “it’s only honorable mention.” It’s a big deal when this 6k chop is surrounded by 60k and up bikes?! Choppahead aims to build within the means of the average Joe. We don’t build mortgage-priced bikes that you need to be a superstar to afford. I can appreciate the high-end bikes, but I don’t build them.

The other mission of Choppahead is to help preserve, document, and facilitate chopper and biker culture. That ties into what I’ll be doing here at Bikernet. It’s also why I have community features on my website like an active messageboard, news announcements, upcoming events, and a section for builders and riders to send in flicks and spec sheets of their scoots. I want the site to be a place for heads to come in and swap knowledge, stories, and just talk shit. I’m also working on a Choppahead video project that focuses on home-builders and small shops. They are the true essence of the chopper scene, in my opinion.

coppa

Check out the site http://www.choppahead.com and let me know what you think. I’m still building the company up, and once I have more $$$ and time I’ll have a lot more by way of clothes, parts and complete bikes for sale. So give me a brake for not stamping out new shit every week. For now, I’m still balancing this with my day job (working in health and safety with trades unions – iron workers, laborers, pile drivers, etc.), music, and writing. Yes, I keep busy. If I’m not busy, I’m bored. When I’m bored I get in trouble!

I’m psyched to be part of the Bikernet squad. My fingers are already getting all antsy to start pounding out some articles for the site. If you have any events, builders, tech issues or anything else that you would like me to cover, feel free to drop me a line at: truth@choppahead.com – till next time, keep riding and keep it strong!

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Choppers Inc. Forever, Forever Choppers Inc.

three choppers

bike on lift,rear in air

If you have been hiding in a hole lately, like Osama yo’ Mama or some other fuck, you might not know who Billy Lane, the creator of Choppers Inc. is? But after reading this, even Sado and his multi billion whatever camel bangin’ ass will know who Billy Lane is.

build-off bike un painted

Discover, Build-Off Bike waiting paint.

frame w seat

If you’ve heard about the Space Coast of Florida. You know where NASA launches all those rockets? There’s a small, quiet town called Melbourne, home of none other than Choppers Inc. Yes the same chopper shop that is commanded by the one and only Billy Lane, master of the unthinkable. He uses everything from helicopter bearings to bottle openers as components for his two wheeled creations. He’s been featured in Bikernet previously, but this time we are going inside his shop. This is his little world, where the Choppers Inc. crew come up with all his whacked and cool choppers. It’s a steel and chrome haven where TV cameras, cool cars and the usual mayhem take place. It’s a place where friends are always welcome, Jack is always available and the beer is always cold. This is the fun trip into the Choppers, Inc. zone… Enjoy.

hubless bike
A Billy Lane signature, the hubless bike.

So let’s go back in time, to a place that time has forgotten, or maybe not, Miami. That’s were I met him for the first time thru a mutual friend who had a shop in South Beach. We said a couple hi’s and hung out some, not much more than that. I had bikes, but I was doing something else at the time. Everyone walks their own path. Some years later I met Billy once more. He was starting a shop in Melbourne and perhaps a new life, Choppers Inc. It was sorta re-born. Some people say that he was supposed to work for NASA, but decided to step onto the notorious Chopper path. I, for one, think he made the correct choice. So let’s fast forward a bit.

billy standing

Billy Lane pondering the rains that threatened Daytona Bike Week.

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Choppers Inc. Forever, Forever Choppers Inc.

Choppers Inc is a no nonsense, no bullshit shop. No catalog parts, no walls full of chromy crap, no racks full of the latest leathers. It’s a shop chocked full of cool gadgets, their own line of shirts and apparel and their super cool and original six gun parts (all patented designs). It’s a shop designed for building bikes, welding, machining, blacksmith banging, fabricating and even partyin’ some.

gold bike purple flames

There’s no showroom, no nothin’. You walk in and you’ll see Billy or Nick throwing wrenches around. Gene’s answering the phones and running the sales, and if you’re lucky, Suzanne’s running the whole operation backstage. If you stay there long enough (without being a pest), you will see a lot of people stumbling in and out. They come to shoot the shit, but they don’t interfere with bike building progress. Family’s always near. Cute chicks come and go and there’s always something to be completed.

nick
There’s Nick a master mechanic.

Speaking of things to be finished: Two Discovery bikes; The famous hubless the Camel bike; the VQ bike and countless other choppers and customer bikes being built. There’s always a project or three going on, all with that individual touch that Billy gives his choppers. With each creation contains a million tiny details and some major ones as well. While Billy creates one component, Nick fabricates another. There’s no egos clashing here. There’s not enough space nor time for them. On any given day you see the polisher, painter, chromer, powdercoater and even the seat maker stopping by, grabbing a beer, picking-up what needs work and heading out. Choppers, Inc. is fortunate enough to have surrounded itself with hard working, true friends. They accomplish what it takes for the benefit of the Choppers Inc. Code, not the individual.

booster & jesse
It’s Booster and Jesse.

chopper on lift - booster

If you happen to pass by Melbourne make sure to go by and check it out. Please, don’t ask to sit on the choppers and don’t even talk to Nick if he’s limping. And if you see cameras there, it’s better to turn around and come by some other time……Don’t say I didn’t warn you.

boosters chop
Booster’s Chop.

— Jose De Miguel

billy on hubless
The man, Billy Lane, himself.

Visit our Web Site http://www.chopperfreak.com

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Bikernet Reveals Discovery Girls – On Bikes

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Two of the riders from the Discovery Ride.

We have all seen the Discovery motorcycle stuff. Here we have some of the ladies who participated in Motorcycle Women. These “girls” are not only good looking, have kick ass careers and know what they want in life, plus they love Choppers. What more would you want (besides their number and a date)! I bravely encountered them to ask the following questions ( yeah I know it’s a tough job, but someone has to do it),at a Cyber cafe somewhere in the World.

When they started popping up I felt like a kid who was meeting the parents on his first date. Needless to say my journalistic duty kept me glued to my seat, (and I felt like the luckiest dude in the place surrounded by babes). So yeah, they did cartwheels, went shopping, and had the cleanest bikes I’ve ever seen (on a long ride) but what the hell. They are ladies, and that’s what they do. So next time you see one of them on the road, before calling them chicks, remember, these girls have covered more miles in a week than most in a year.

They have paid their dues, but most important, they have found the meaning of brotherhood…I mean sistership and respect for one another. So read on, enjoy, and take it like a man.

BIKERNET: What do you ride?

QIAN: Technically I ride a 2002 Sportster.

BIKERNET: Why technically ?

QIAN: It looks nothing like a Sportster

BETSY: A 91′ Softail. I modified everything in ’97, so they call it a ” special construction”. It has an Evo motor with Delkron cases and S&S carb on a Paughco frame. Evo 3 cam, python 3 pipes, twisted spoke rims, a Le Pera custom seat, ape hangers, and a devil’s pitchfork sissy bar. The leathers I dressed her with are old bags and scraps collected in our travels.

Betz riding

Betsy, the leader of the pack.

BIKERNET: Wow ! It’s quite impressive when someone knows exactly what their bike has, more so, can I say a woman without sounding like a male chauvinist ?What made you start riding and why?

QIAN: I got involved in motorcycles when I met Betsy, my best friend. She was the first woman who I met who rode a motorcycle and I was so impressed and had so much fun riding on the back of hers that I decided to get my own.

BETSY: I’ve been riding all kind of bikes my whole life, but my first bike was bought at a girlfriends garage sale, a Honda 400. She needed the money and I wanted to help out. Not even knowing that riding it would become such a major part of my life.

Asian girl posed

Qian, the woman of Jose’s dreams.

BIKERNET: What have you done to the bikes (customize stuff) ?

QIAN: I have changed and rechanged everything on the bike but the engine. I have 18″ apes, stretched gas tank, thinner Le Pera seat, tall sissy bar (who isn’t on the bike anymore) chrome grips, chopped fenders, lowered.

BETSY: Oops.. I guess I already answered this question.. By the way I also defaced a fabulous ghost flame paint job and opted for flat black

BIKERNET: Yeah, Flat Black rules. How much fun was the Discovery ride actually was?

QIAN: The ride was exciting and a bit intimidating since it was my first trip cross country. I also had not ridden with anyone other than Betsy.

Lepera Banner

BIKERNET: So Hollister wasn’t a long ride? I bet it was close to the Discovery mileage.

QIAN: Hollister was my first long ride and by the time I was done with the DC show I was getting used to it, bugs and all.

BETSY: The ride was a lot of fun for me. life is a lot of fun for me! We were all under some sort of pressure since we all had expectations of what the experience would be and how the filming would turn out. Sometimes it was a test of patience and sometimes we lost control of that. But I can say I respect every person I rode with and the crew. The ride itself was almost perfect, the scenery, the weather, the “dance” of riding with new friends. Sometimes you don’t realize how cool an experience is until you look back at it. I feel really fortunate to have been part of all this.

BIKERNET: Leaving the fringe, shopping and general TV stuff aside, What can you say (or felt) about the ride that people did not get to see?

QIAN: I felt there was so much great footage that was left out due to whatever reason and time. The viewers didn’t get to see us really bond, the food fights, the wonderful conversations and the spectacular scenery. We laughed the entire time.

BIKERNET: I hear you, we felt the same way after the Discover Sturgis ride. I mean footage lost, the bond, the good time. No food fights though, but it’s a funny thought. Maybe a fist fight.

BETSY: What people didn’t get to see? The bullshit ! The vulgar language, the “R” rated activities. And thank God for good editing. My family thanks Chad for his tasteful efforts (Chad was the editor).

Three girls

BIKERNET: So we missed the best stuff. like always, damn censors! Of all the shows yours was the coolest route of all. What was your favorite part of the trip, areas, places, roads, whatever?

QIAN: My favorite part of the trip was meeting these women and the tasty ribs in Ely Nevada.

BETSY: I loved Durango and the Four corners, plus all the trading posts out in the middle of nowhere.

BIKERNET: What do you do for a living and how is it connected to riding motorcycles ?

QIAN: I work as a photographer in Los Angeles…Sometimes I sell drugs to make ends meet (just kidding).

BIKERNET: So how is it connected to motorcycles? Besides being cheaper and more fun than a shrink?

QIAN: It’s not, It’s just plain fun.

BETSY: Also, as photographer and I shoot various types of subjects as work and as a hobby. I have been lucky enough to shoot many motorcycles events with my friend Genevieve Schmitt of Woman Rider.

BIKERNET: I’m pretty sure that the bond that formed during and after the ride was pretty strong, tell me about it? Would you do it again, or is another ride already planned?

QIAN: Claudia and Michelle came out to visit us for the Love Ride weekend and we all plan to get together and ride to Sturgis next summer.

BETSY: Besides what Qian said, I did some pretty strong bonds on the trip and I hope my friendship with this girls continues. I would definitely do it again, and I am working on doing exactly that.

BIKERNET: So I must assume you will visit us in the Black Hills ?Tell us what went on behind the cameras? I’m sure six ladies on bikes can stir some trouble?

QIAN: I plead the fifth….

BIKERNET: Ahh, Come on?

BETSY: On the grounds that I would embarrass everyone, I must also plead the 5th. But…The ribs were not the only tasty things in Ely!!!

Betz

BIKERNET: Does your significant other, if any, ride too ? What does he ride?

QIAN: I’m sin…

BIKERNET: Due to the amount of horn dogs around, this question is being purposely deleted (for Jose’s selfish, personal advantage).

BETSY: I have no significant other, not even an insignificant other. Isn’t that sad ?

BIKERNET: That’s funny. I mean the insignificant part. So I’m leaving this one. I’m sure that our readers will be more than willing to become insignificant others. I will sell phone numbers for the right price.

What do you like, bike wise and style wise, any plans or dreams of a certain bike, or favorite builder to do it ?

QIAN: I like the way old choppers look, apes, raked out, springer front ends, tall sissy bars. I don’t like the new bikes with the bright colored paint jobs. I think the only color a bike should be is black !

BIKERNET: Wow ! Why don’t you just rip my heart out !!!

BETSY: My bike! The one I have now ! It took me three bikes to work up to what I’ve always wanted. This is it..

BIKERNET: It’s never it. Come on fess up?

BETSY: Well, I would like to rake the front end about 9 more degrees. Anyway, I see so many bikes around, but when I get back to mine, I always think it’s the most beautiful bike I’ve ever seen !

BIKERNET: Every year we see more and more women riding Harley’s, which I think is great and they look so good. What’s your perspective about it ?

QIAN: Everything in this society is male dominated, which is sad, but I am glad to see more and more women riding. It’s a lot of fun, in fact I think everyone should own a bike !

BIKERNET: Come on, not all is male dominated, how about hair dressers, interior decorators, oops, yep you are right, sort of?

BETSY: I love it. I used to feel like an oddity, a tanned women dripping in turquoise, kind of a 70’s lost child. But now it’s all hip again. If you keep your style it will come back around every 20 years or so. When I see another woman riding I know we have something in common. To some it’s more than a hobby, it’s an attitude about life. It’s a freedom thing.

Betz riding

BIKERNET: Power to the sista’s!! Yeah, I saw a lot of jewelry on the show, fringe and little clothing.You travel all over the World, tell us about cool places to visit and ride?

QIAN: I have only ridden in the US, but my photography has taken me all over the World. Mostly third world countries like Nepal, Tibet, Guatemala, Peru, Costa Rica and Morocco.I’ve experienced diving in Thailand, Aruba, Caymans and Bahamas. I just got my Sky diving license and plan on going to Queenstown New Zealand, the Adrenaline capital of the World, to make some jumps and ride…

BIKERNET: So many places and no Puerto Rico ? How can that be?

QIAN: I have actually been there.

BIKERNET: Ah ha ! I bet at the airport on the way to some other island.

BETSY: I’ve never ridden anything bigger than a moped in any other country. I dig adrenaline and adventure so I mix work and fun…Safaris in Africa, mountain climbing in Tibet, skiing in the Alps, bungee jumping in New Zealand, scuba in the Pacific and Caribbean islands, stuff like that. But most of the motorcycle travel has been 20 different ways to get from LA to Sturgis and back !

BIKERNET: This forum now belongs to you two, say what you want…gripes, kudos, anything ?

QIAN: I’ve learned that although chrome grips look really cool they serve, absolutely, no purpose going cross country, and in fact, I’ve already damaged my fingers from gripping so hard. Chrome won’t get you home.I have duct tape covering them and I don’t really care how ugly it looks. They are never coming off. And Jose is a babe.

Asian girl

BIKERNET: Try tennis racket grip tape. It works better and is less messy.

BETSY: People don’t see my quiet side. I spent most of my time in my own little “casa” in the garden, with my dogs, making jewelry and leather goods…

BIKERNET: So that explains all the accessorizing on the ride?

BETSY: Yep. I also try to have the healthiest body and soul lifestyle I can. I love good sleep, sunshine, good friends and most important a great family ! And Jose is a babe, too !!

BIKERNET: Thanks for taking the time to answer these questions. I really hope this opens some eyes, ladies as well as gentlemen.

Deep inside it was all serious stuff, friendship, enjoyment and absorbing your surroundings. They watched each others backs (and we did too). But at the end the message was served, eaten and digested. Women riders are here to stay. They like the same things we do and enjoy their bikes as much. Only difference, they have some extra parts and look much better on their bikes than any guy.

–Jose, Bikernet Caribbean Reporter

Samson

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Fabricator Kevin

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I was wet, cold and tired as I rolled the shovel into the bowels ofHell mknown as the south side of Detroit to find the elusive metal smith thatpeople call FabKevin. I was thinking what kind of person could cause thiskind of stir in the ol’ skool chopper community; I mean he wasn’tproducingfancy chrome shiny parts. Nope, his wares show up at your door in rawunfinished steel. So, why all the commotion? I really couldn’t understandit so that’s how I ended up rolling thru the industrial area of Detroit atzero dark thirty reading unlighted buildings looking for his shop. As I took aleft down an old decrepit alley I saw the flash of an arc welder and thesplash of fresh sparks from a plasma cutter arcing thru the front door ofan old rundown warehouse. As I parked the old shovel by the ramp leading tothe front door, I noticed a small Maltese cross with Fabricator Kevin letteredacross the bottom, painted on the door.

Climbing off the bike I can see the master at work. He is busyoverseeing a CNC High Definition Plasma cutter making sure each cut is perfect. I can tell by the concentration in his brow that he expects nothing but the best and that his customers will all receive the same. Slowly heturns his head to check who this intruder would be standing at his shopdoor in the middle of the night. I introduce myself and thank the gods that Ihad called him earlier to arrange this meeting, as I am sure he is wellacquainted with taking care of trespassers.

Slowly his menacing smirk changes to a grin as he turns off hismachine, reaches down to his obviously custom made diamond plate cooler, throws mea beer and tells me to pull up a chair. We started talking casually aboutthe chopper industry and where he believes it will head next, his thoughts andhis passions. Slowly information starts coming out about his backgroundand how he found himself doing what he is doing.

motorplate
Maltese cross motor plate

It just happened that sometime back in his youth he decided he wouldget into the industrial sheet metal field. Being a rider and a person whoturns his own wrenches, he was producing parts for himself and of course asusual, people started to notice. 20 years later and thousands of widgets latter,he decided to mix his two passions into one, metal working and customHarleys.

It seemed a natural mix and with the machines he has access to fromComputer aided design work to his high definition laser, and his friendsall clamoring for parts like the ones on his ride he knew that he was ontosomething. Slowly at night on his own time he started turning out chopperparts. At first it was just for close friends, you know a timing coverhere a motor plate there, but slowly the word got out that here was a man thatcould take your ideas whether it was trying to adapt 6 piston Japbikebrakes to your girder front end or making laser carved motor plates with yourname engraved in them. He can do it all with top quality materials and at abudget price.

jockeylevers
Jockey Shift Levers for Ratchet top Trans.

He started advertising and slowly an underground movement startedaround his parts, a subculture we will call it that is anti billet andreally believes in Kevin’s mantra of “If it ain’t STEEL, it ain’t REAL!”Parts orders slowly started coming in and a contract from Horse BackStreetChoppers magazine for his Maltese cross point’s covers, which I will sayare an exclusive to the Horse so I wasn’t able to sneak out with one.

pointcover
Maltese Cross points cover only available thru Horse BackStreetChoppers Website

This is the point that the shop is at now, small enough for personalone of a kind parts and Kevin says that it will stay that way, Service thatwould shock the big boys and the ability to produce whatever your mind canimagine out of steel. You ask for flames, spider webs, Maltese crosses, oryour name engraved in that custom part and he makes it happen. That iswhat it is all about. As we finish our drinks I start looking around the shopnoticing some of the standard parts he produces. I ask him for a rundownof his “Stock” Parts and this is what I get :

“Exhaust flanges to make your own pipes for Shovels and STD heads,Taillight brackets, License plate brackets, Fender struts, Brake caliperbrackets (to adapt almost any OEM caliper to any frame or forks), MotorPlates, to connect motors and trannies on open belt primary drives, pointscovers for cone motors, Jockey shift arms, and almost anything else youcan dream up. I can offer many steel parts that are no heavier than aluminumparts, because I can make them thinner, and cut out unnecessary material.While I have plenty of my own designs, I can also work from your drawingsor templates. If you’re cutting out parts on a band saw, and grinding themto fit, I can probably program and burn them WAY cheaper than you can do ityourself. I can program and cut: spider web patterns, flame patterns,skulls, Maltese crosses, or any lettering or shape you want. I make partsfor American, British, and metric bikes too.”

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One of a kind Mid Control Brackets and motorplate

Pretty strong words if ya ask me. But from what I see in the shop, Ibelieve what he is saying. Slowly I get up and thank him for his time andthe info and he asks me to hold up a minute as I was heading out the door.He walks over to the CNC machine and pulls out what looks like a motorplate for a shovel, and cut into the motor plate are the words OldDawg. Damnthat is something I wasn’t expecting and from the smirk on his face he knew itwould be on my bike by the next weekend. As I wheel my way west towards myhome I couldn’t help but wonder if FabKevin isn’t at the forefront of a newmovement and how long it would be before I started seeing his parts at thelocal shop hanging on the pegboard.

Thanks Kevin for the beer and the conversation.

All these parts and more are available online atwww.fabkevin.com

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“Great Doings”

The Enthousiast

I suppose I ought to explain something: For some obtuse reason, I feel I put alittle too much effort into a painting to simply dash off, leaving theviewer with a quick explanation of what is surface-level obvious. Nope… Ifigure I’d rather torture myself by doing two things at the same time;first, plumb my soul to come up with something truly powerful, and second,for it to have a character of personal uniqueness that appropriatelytranslates what I am saying with the piece. Something that causes inplaybetween artist and viewer. Yeah, that’s it. Push things in an interestingdirection.

At times, dragging out the name can be tough — I don’t get them for free.The process can be scary as hell. After all, painting is a black hole, acompression of many different emotions; pain, misery, elation, exploration– so why not reach deep within those personal depths to name the piece? Whynot cause myself misery and sift through my drama? — by the way, where’s mytherapist?

Maybe I could have gotten poetic andwinged off something like “Windblown Wavelets and Reflective Cud-Chewing”,but I’d be afraid that naming it so would be a case of anything meaninganything and nothing at the same time…

No, whatever I had to say about my painting had to say something about ALLof the painting. It had to say something about the machine. The flag. Thestone-faced riders with attitude — no, pride. The drama. I want to saysomething about one thing. I want to say something about everything. It hadto say speak BEYOND the painting. I wanted it to address something Iresponded to when I conceived the image — the PASSION. And I wanted it tospeak to the culmination of 100 years of what “IT” was all about — andspeak to what it will be.

So, I sat and stared at it for a while. Just like I did when it was a whitecanvas… except not as nervous (because I didn’t have to think how manyways I could destroy a perfectly clean, white canvas). A thought… scribbleit down and wait for the next candidate to appear. Then scribble that down.Flail myself for the next one and scribble that down.

Slowly, a list was compiled and reviewed. And there,in the midst of a long line of drunks, dropouts and derelicts, it shone:”Great Doings”.

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